A Quote by Witney Carson
If I hear an amazing piece of music, I can't help but think of ideas, choreography, and everything that comes along with it.
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Choreography is amazing. I'm still a dancer, yet I transitioned into choreography then as a Creative Director. All of these creative elements are brought out of being a dancer. Directing is something that comes out of understanding movement and choreography. Directing movement is directing a dance piece.
When I first began choreographing, I never thought of it as choreography but as expressing feelings. Though every piece is different, they are all trying to get at certain things that are difficult to put into words. In the work, everything belongs to everything else - the music, the set, the movement and whatever is said.
I started dreaming of becoming a singer after seeing Michael Jackson in the 'Billie Jean' video. The mix of fantastic choreography and amazing music made such a huge impact on the music industry.
My pledge to myself is I will believe in my music, always. I stand behind everything I do. If I don't think it's amazing, how the hell is anyone else going to think it's amazing? But that's just me.
My favorite piece [piece of music] is the one we hear all the time if we are quiet.
The music that I make is built on layers upon layers of musical ideas. I want to keep it fun and fresh to where listeners won't get everything from just one listen. They can go back to it months, weeks, or even years later and hear something that they didn't ever hear before. That's what it's all about.
Everybody has ideas. The vital question is, what do you do with them? My rock musician sons shape their ideas into music. My sister takes her ideas and fashions them into poems. My brother uses his ideas to help him understand science. I take my ideas and turn them into stories.
Then came the choreography... the impact of music and choreography tends to really emphasize an overall feeling of what you really want out of the program.
Most people say that Asian or female artists should be sexy in America, but I don't think that I have to be like that. I have a tomboy style. My choreography is not that way. So, I want to focus on my music style to match the choreography, which is really cool. No girls can dance those moves. I try to make them really fresh.
Fight choreography has far more in common with dance choreography than it does with actual martial arts. You learn martial arts techniques, but those are just the movements for the choreography. You're working with a partner in choreography. You're working on timing.
One thing about skating that I don't think people focus on enough is the music factor. The music is a huge component of figure skating. It can dictate not only the choreography but the emotion. If it's not the right music it can ruin a performance.
Almost everything about the universe is astounding. I think the most amazing thing is how gifted we are - we are only monkeys who came down from the trees just recently. We have these amazing gifts of music and mathematics and painting and Olympic running.
I mean, take 'Chariots Of Fire.' That opening scene, the long shot of the runners along the beach, and then you hear that music... I think that was one of the first times synthesizers were really used in movie music. I just flipped! I didn't even care what the story was going to be. Give me a nice marriage of sound and music.
I think that if you hear music young, whatever music you hear influences you. I'm white, but I've been influenced by black music.
Dance has helped me with everything. It was a great foundation for discipline, hard work and, unfortunately, the ever-elusive idea of perfection. It lends itself easily to fight choreography, because that's what it really is. Choreography. And knowing how to move with someone.
I think what makes his story unique from others is there is not really one piece of American pop music you hear today that does not have some James Brown in it.
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