A Quote by Oona Chaplin

When people say 'Charlie Chaplin' I still think now of the guy in the moustache and bowler hat and funny walk - I don't think of an old man who was my grandfather. — © Oona Chaplin
When people say 'Charlie Chaplin' I still think now of the guy in the moustache and bowler hat and funny walk - I don't think of an old man who was my grandfather.
American culture has a lot of great moustaches in its history. Mark Twain had a great moustache, Charlie Chaplin, Ben Turpin ... but Zappa, he's got the best moustache in American history. Got the moustache, right, and he's got that little thing on his chin, I think it's called an imperial, that is, like, the coolest thing. That's like one of the great icons of the twentieth century.
Shakespeare wrote great plays that we're still watching all these years later. Charlie Chaplin made great comedies and they are still as funny today as they ever were.
The trouble with you, dear, is that you think an angel of the Lord as a creature with wings, whereas he is probably a scruffy little man with a bowler hat.
I think it's better to be too early and disturb a few people - but have other people say it was necessary - than to do it way after the fact. We shouldn't forget that Charlie Chaplin did a movie about Hitler while Hitler was alive, and Peter Sellers in Stanley Kubrick's masterpiece Dr. Strangelove was during the McCarthy time, where everybody was a communist and McCarthy was flipping completely out. I think it's important to have a movie like Postal now, where we are on the peak of the Iraq War, on the peak of terrorist attacks, where everything is actually happening.
I don't think the physical resemblance is as important as capturing the soul of the person that the actor is portraying. How much like Charlie Chaplin did Robert Downey Jr. look in 'Chaplin?' Did Meryl Steep actually resemble Nora Ephron in 'Heartburn?'
Working with Chaplin was very amusing and strange. His films are so funny, but working with him, I found him to be a very serious man. Whereas the films of Hitchcock are macabre, he could be a very funny man to work with, always telling jokes and holding court. Of course, when I worked with Charlie he was getting older.
My idol growing up was Charlie Chaplin. I was obsessed with him. I mean, while other kids were watching Jim Carrey and the likes in the '90s, I was watching Charlie Chaplin films, because I was a bit of a geek. I became obsessed with this idea of physical comedy.
I think I'm going to pull a Charlie Chaplin and have kids when I'm 60.
We felt that the public, and especially the children, like animals that are cute and little. I think we are rather indebted to Charlie Chaplin for the idea. We wanted something appealing, and we thought of a tiny bit of a mouse that would have something of the wistfulness of Chaplin - a little fellow trying to do the best he could.
People always say to me, 'It must have been wonderful coming from old Hollywood, with all those movie stars,' but I never knew anyone. I didn't even know who Charlie Chaplin was. My parents really kept me away from it all.
When I do a voiceover now, there are always a few people I've borrowed bits off, whether it's their hats or facial hair, who'll say: 'That's so funny; it's obviously based on this guy.' You think, 'It ain't: it's you.' Actors never think characters are based on them.
When you see Charlie Chaplin, he stays funny. He doesn't become drama, and so what really seems to endure is comedy.
I try to think of something catchy to say, but there's nothing but irritation that something that was funny yo an eleven-year-old boy is still funny to a seventeen-year-old one.
People nowadays think of gamebooks as rather old hat - and, after all, it was twenty years ago. In their heyday, though, they were a phenomenon, selling upwards of a hundred thousand units per title. And it's not as old hat as you might think: the same design skills I used in those days apply equally when I'm creating modern videogames.
I read a story about some old opera singer once, and when a guy asked her to marry him, she took him backstage after she had sung a real triumph, with all the people calling for her, asked, 'Do you think you could give me that?' That story hit me right, man. I know no guy ever made me feel as good as an audience. I'm really far into this now, really committed. Like, I don't think I'd go off the road for long now, for life with a guy no matter how good. Yeah, it's the truth. Scary thing to say though, isn't it?
On the old passports, mine used to say 'entertainer', but now on forms I say 'actor'. But I still worry that people will think I'm a charlatan.
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