A Quote by Wally Amos

Many who resort to crime ultimately can't read or write. — © Wally Amos
Many who resort to crime ultimately can't read or write.
What clever man has ever needed to commit a crime? Crime is the last resort of political half-wits.
I've always been an entertainer all my life; I come from a family of entertainers. I always made, very pretentiously, a comparison with Agatha Christie. Her inspiration was crime, and I'm sure she must have taken courses or read about crime, because it was the basis of her stories. But ultimately, it was her own fantasy.
The most important thing is you can't write what you wouldn't read for pleasure. It's a mistake to analyze the market thinking you can write whatever is hot. You can't say you're going to write romance when you don't even like it. You need to write what you would read if you expect anybody else to read it.
I don't have personal experience and knowledge about anything but theater. I've been tutored very well on the subject, but ultimately I'm going back to the rules of drama. There are genres that I like as an audience member that I can't write as a writer. I can't write crime, and I like a good thriller as much as anybody.
The continued increase in many crime indicators and the fact that the overall crime rate has not seen a marked decrease while the Liberals have been in power is a clear indication that the Liberal approach to combating crime, as on so many other issues, has failed.
It's an unusual way to write a crime novel, to have these lingering, fairly large story points, but it's something I knew I had to do if I wanted to write a sequel...but, you know, people still have to read and enjoy this book, or it's a moot point.
All societies have these cases. There are many, many crime cases that remain famous from the times of the Romans. The Bible is full of crime stories. You can almost flip to a page. Joseph being sold into slavery by his brothers is a crime story. The Bible is full of crime stories.
Arabs don't do crime fiction. I read crime fiction and I read Arabic literature, and I wish this was a novel I could have read in Arabic.
My influence is probably more from American crime writers than any Europeans. And I hardly read any Scandinavian crime before I started writing myself. I wasn't a great crime reader to begin with.
I don't read my books, I write them. Once I've finished the many years it usually takes me to write them, I can't bear to read them, because I've spent too long with them already. I'm not advertising them very well, am I?
If you are going to write, say, fantasy - stop reading fantasy. You've already read too much. Read other things; read westerns, read history, read anything that seems interesting, because if you only read fantasy and then you start to write fantasy, all you're going to do is recycle the same old stuff and move it around a bit.
Writers who don't read can't write well. It's that simple. The more you read, the better you read, the better you'll write. The upside is that you can't read too much, and even 'junk' reading can be constructive.
One can't write without having read - you have to read before beginning to write - and universities offer a very good opportunity to read.
Crime fiction has always been what I wanted to read, so when I sat down to write my first book, it was naturally the way that I was going to go.
You don't read many scripts, especially for crime dramas, that feature a strong woman as the central character.
I grew up reading crime fiction mysteries, true crime - a lot of true crime - and it is traditionally a male dominated field from the outside, but from the inside what we know, those of us who read it, is that women buy the most crime fiction, they are by far the biggest readers of true crime, and there's a voracious appetite among women for these stories, and I know I feel it - since I was quite small I wanted to go to those dark places.
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