A Quote by Walt Disney

In our animation we must show only the actions and reactions of a character, but we must picture also with the action. . . the feeling of those characters. — © Walt Disney
In our animation we must show only the actions and reactions of a character, but we must picture also with the action. . . the feeling of those characters.
As readers, we want not only a strong story, but also characters we can relate to, characters that feel real. We have to find something of ourselves in them. Each character, even those only there to serve the mechanics of the plot, should have a number of layers. The entire world you are stepping into as a reader must feel real. It must have resonance, you must be able to touch the light; smell the smells.
I don't only act out of my character; my character reacts to my actions. Each time I why, even if I'm not caught, I become a little bit more of this ugly thing: a liar. Character is always in the making, with each morally valenced action, whether right or wrong, affecting our characters, the people who we are.
When I write a book, I don't have a plan or an outline. The characters move the action, and the action develops the characters. When I write a book, I become an actor, really, taking the role of the person who is speaking or acting at the time, and so their reactions to whatever they see are my reactions.
Americans across our country are feeling a sense of helplessness, of uncertainty and of fear. These feelings are understandable and they are justified. But the answer must not be violence. The answer is never violence. Rather, the answer - our answer, all our answer - must be action. Calm, peaceful, collaborative and determined action. We must continue working to build trust between communities and law enforcement. We must continue working to guarantee every person in this country equal justice under the law.
We must let the world know children’s stories and we must take effective protective, legal and political actions to ensure that as many children as possible are spared the brutalities of war. Our joint action has, and will, make a difference, if only we make the effort.
It is not enough to be well-intentioned; one must strive to put those intentions into action in a capable way. One must consider the effect his actions will have on others. Looked at like this, to persist in ignorance is itself dishonorable
It is not enough to be well-intentioned; one must strive to put those intentions into action in a capable way. One must consider the effect his actions will have on others. Looked at like this, to persist in ignorance is itself dishonorable.
We must practice modesty, not only in our looks, but also in our whole deportment, and particularly in our dress, our walk, our conversation, and all similar actions.
What must novel dialogue . . . really be and do? It must be pointed, intentional, relevant. It must crystallize situation. It must express character. It must advance plot. During dialogue, the characters confront one another. The confrontation is in itself an occasion. Each one of these occasions, throughout the novel, is unique.
We cannot foresee what the Lord has in mind for us. Our only course of action is to be prepared and worthy for whatever he requires. We must govern our actions every day with our future in mind.
In our Mechanics' Fair, there must be not only bridges, ploughs, carpenter's planes, and baking troughs, but also some few finer instruments,--rain-gauges, thermometers, and telescopes; and in society, besides farmers, sailors, and weavers, there must be a few persons of purer fire kept specially as gauges and meters of character; persons of a fine, detecting instinct, who note the smallest accumulations of wit and feeling in the bystander.
What interests Sam Mendes are characters and relationships, and he was a genius at giving you the freedom to create the type of character you want, and also to explore and have fun with your fellow actors. For him, characters and relationships are really the heartbeat of the film, and then the action is the backdrop. By developing the characters, he makes you care that much more about the action and going on a journey with the characters.
Making a movie is about following characters and embarking on an adventure with them, seeing their reactions, and seeing what they do, having empathy for those characters, feeling for those characters, embarking on this adventure.
In order to be truthful We must do more than speak the truth. We must also hear truth. We must also receive truth. We must also act upon truth. We must also search for truth. The difficult truth Within us and around us. We must devote ourselves to truth. Otherwise we are dishonest And our lives are mistaken. God grant us the strength and the courage To be truthful. Amen
We must also suffer the consequences of our past decisions. And for that, we must open our hearts to those in need.
You must not hate those who do wrong or harmful things; but with compassion, you must do what you can to stop them — for they are harming themselves, as well as those who suffer from their actions.
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