A Quote by Walter Becker

With 'Aja,' there was a sort of happy conjunction between our tastes and the backgrounds and styles of studio musicians at the time. — © Walter Becker
With 'Aja,' there was a sort of happy conjunction between our tastes and the backgrounds and styles of studio musicians at the time.
I would hear Steely Dan on the radio all the time, and I listened to 'Aja' a lot. I mean, 'Black Cow' and 'Aja' and 'Deacon Blues' and 'Josie' and 'Peg'... all these songs are on one record. It's crazy!
We recorded Star Climbing over a three-year period between our studios, working on songs and lyrics until we felt like we had found the albums direction. It is our most distinctive album to date, combining all our different tastes and styles into one.
Most of the musicians that I'm playing with now have jazz backgrounds, so they're comfortable with improvisation. And they all know to make eye contact with me, and I'll give them some kind of sign when I think that the song's ending. Or maybe I don't even have to, because they all sort of feel it at the same time.
The studio is really fun because I don't make it into the studio unless I've got something I really like. I love working with different musicians in the studio; that's a real joy, working with someone for the first time.
The difference between Marilyn Monroe and the early Pamela Anderson is not that great. What's amazing is that the taste of American men and international tastes in terms of beauty have essentially stayed the same. Styles change, but our view of beauty stays the same.
Because of the Internet, you're sort of forced to deal with people from very different backgrounds and beliefs. It's a great challenge of our time, and depending on when you ask me, I feel optimistic or pessimistic about it.
We're genuinely happy if some musicians of this younger generation are influenced by our music, as we were ourselves influenced 10 years ago by older musicians.
I just love musicians. They're not all super-happy all the time, but when they're playing they're happy, and it's such a beautiful thing.
My time as an MP has made me more aware of the power dynamics that exist in society: between men and women, between people of different backgrounds and ethnicities, between those in positions of power and those with very little of it.
The C.E.O. of Google doesn't look like a Dick Cheney World Domination sort whom we should worry about as Google ogles our houses, our oceans, our foibles, our movements and our tastes.
I think the other thing that's important is getting to a place, which very, very rarely happens with improvising groups, where somebody can decide not to play for a while. You watch any group of musicians improvising together and they nearly all play nearly all the time. In fact I often say that the biggest difference between classical music and everything else is that classical musicians sometimes shut up because they're told to, because the score tells them to. Whereas any music that's sort of based on folk or jazz, everybody plays all the time.
It is my belief that there is a tendency among the so-called 'modern' or 'hip' jazz musicians to consider styles other that their own, 'corny', and it is my contention that in actuality it is these musicians who are producing that which in future years perceptive critics will deem 'corny'.
When I left Van Halen, I went in the studio and made a CD called Marching to Mars with all studio musicians. I did it immediately. With the disappointment riding on my shoulders of the breakup of the band.
From our earliest days in Liverpool, George and I on the one hand and Paul on the other had different musical tastes. Paul preferred 'pop type' music and we preferred what is now called 'underground'. This may have led to arguments, particularly between Paul and George, but the contrast in tastes, I'm sure, did more good than harm, musically speaking, and contributed to our success.
I had an interesting day. I was in the studio with a group of musicians, who shall remain nameless, and I said to them "Our exercise today is not to use 'undo' at all. So, there's no second takes. Or, if you do a second take, you have to do the whole take. There's no sort of drop in, change that little bit". The session broke down in, I'd say, 40 minutes. It was impossible for people to work in that restriction any longer.
What's amazing is that the taste of American men and international tastes in terms of beauty have essentially stayed the same. Styles change, but our view of beauty stays the same.
This site uses cookies to ensure you get the best experience. More info...
Got it!