A Quote by Walter Lippmann
I generalized rashly: That is what kills political writing, this absurd pretence that you are delivering a great utterance. You never do. You are just a puzzled man making notes about what you think. You are not building the Pantheon, then why act like a graven image? You are drawing sketches in the sand which the sea will wash away.
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A lot of times you can write a scene with a specific song in mind, and then you lay it over the image, and it kills it. I can never figure out why certain music works. Some music you listen to and say, "Man, that would be great for a movie." But when you try it, it's horrible, because the music itself is cinematic. The weight of it kills the image.
The Shell The sea fills my ear with sand and with fear. You may wash out the sand, but never the sound of the ghost of the sea that is haunting me.
With drawing, I am acutely aware of creating something on a sheet of paper. It is a sensual act, which you cannot say about the act of writing. In fact, I often turn to drawing to recover from the writing.
God cannot be represented by an image. We ought not to think that the Godhead is like unto gold, or silver, or stone, graven by art and man's device. We wrong God, and put an affront upon him, if we think so. God honoured man in making his soul after his own likeness; but man dishonours God if he makes him after the likeness of his body. The Godhead is spiritual, infinite, immaterial, incomprehensible, and therefore it is a very false and unjust conception which an image gives us of God.
Who kills a man kills a reasonable creature, God's image; but he who destroys a good book, kills reason itself, kills the image of God, as it were, in the eye.
And yet on the other hand unless warinesse be us'd, as good almost kill a Man as kill a good Book; who kills a Man kills a reasonable creature, Gods Image, but hee who destroyes a good Booke, kills reason it selfe, kills the Image of God, as it were in the eye.
For me, travelling and drawing the world, experiencing as much as possible first hand, has been very important. Making notes, drawing and writing on the move, became second nature.
We are like children building a sand castle. We embellish it with beautiful shells, bits of driftwood, and pieces of colored glass. The castle is ours, off limits to others. We’re willing to attack if others threaten to hurt it. Yet despite all our attachment, we know that the tide will inevitably come in and sweep the sand castle away. The trick is to enjoy it fully but without clinging, and when the time comes, let it dissolve back into the sea.
It's really absurd to make... a human image, with paint, today, when you think about it... But then all of a sudden, it was even more absurd not to do it.
People buy pads all the time, because they want to write stuff down. We're never going to get away from paper, ever. People like writing; that's why more people are writing more real thank-you notes now - not just to stand out, but because there's something about pen to paper, about holding something cool in your hands.
There's a national ambition, a collective, in a sense, political ambition, which I think is the thing we see from far away. That's the fact that China's building roads and airports and extending its reaches out into the East China Sea and the South China Sea, and in a way that's putting it into some tension with its neighbors.
If men will permit themselves to think, as rational beings ought to think, nothing can appear more ridiculous and absurd, exclusive of all moral reflections, than to be at the expence of building navies, filling them with men, and then hauling them into the ocean, to try which can sink each other fastester. Peace, which costs nothing, is attended with infintely more advantage than any victory with all its expence. But this, though it best answers the purpose of Nations, does not that of Court Governments, whose habited policy is pretence for taxation, places, and offices.
He who prohibited the making of a graven image would never himself have made an image in the likeness of holy things [i.e., by creating an image of them here on earth]. Nor is there at all any composite thing or creature endowed with sensation [made by God here on earth] like those in heaven. But the face is a symbol of the rational soul, the wings are the lofty ministers and energies of powers right and left, and the voice is delightful glory in endless contemplation.
Every time I look at it, It looks back at me I love the sea, its waters are blue And the sky is too And the sea is very dear to me If when I grow up and the sea is still there Then I’ll open my eyes and smell the fresh air Because the sea is very dear to me The sea is very calm and that’s why I like it there The sand is brand new and the wind blows in my hair And the sea is very dear to me.
I feel like the great filmmakers who have a true voice, yeah they take the notes, they understand the notes, but it's really about the notes underneath the notes. When you do a test screening and somebody says, 'Well, I didn't like the love story,' but it was probably just too long.
My attitude towards drawing is not necessarily about drawing. It's about making the best kind of image I can make, it's about talking as clearly as I can.
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