A Quote by Walton Goggins
I think Hollywood sees so many parts of America through a very narrow prism. The South is no exception. And those stereotypes, while sometimes true, are exaggerated for me to the point of boredom.
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Comics publishers are used to looking in a very, very narrow focused prism. It's like when I started writing 'X-Men.' Our 'meat and potatoes' money was made of newsstand sales, while anything that came through the Direct Market was considered gravy.
I think, as we go through life, we can sometimes, while still staying essentially true to ourselves, pick up mannerisms or modes of expression that are like curlicues. And there was a lot of that that I recognized sometimes. And I remembered, sometimes dimly, why those phrases felt so tasty to me, why that particular curl felt so good to me. But from my point of view now, it was almost inaccurate. It changed the meaning of what I was saying in a way that it seemed like a distortion.
I find often in Hollywood there are many people who play themselves really beautifully. And certain parts are not that dissimilar from who you are as a person. And there are other parts where you would like to think that you have nothing in common with those characters, but you probably do have more than you think.
We shouldn't judge people through the prism of our own stereotypes.
I have always looked at the world through the prism of money to some degree. If you could follow the money, it explains a lot of things, in all sorts of aspects of the world. You can look at politics through the prism of money. You can look at art through the prism of money. You can look at sports through the prism of money.
Many of the master chefs in the South, both the upper South as well as the deep South, were blacks and many of those people came here to Washington, D.C., and opened up establishments. Very, very few of them have survived. But they certainly were very prominent.
All stereotypes turn out to be true. This is a horrifying thing about life. All those things you fought against as a youth: you begin to realize they're stereotypes because they're true.
There have been many people whom I have admired, emulated and even modeled parts of my life after. I study how they do things, and then I go through a period of 'trying on' those same thinking patterns and behaviors. After awhile, what is not essentially me falls away while the useful parts remain.
Zombies don't run. They don't dance. They don't say, "More brains." There is no Thriller Night. Those are stereotypes that are perpetrated by Hollywood, which I think is very irresponsible because it can get you killed.
It's very easy for Australians living in big cities to either romanticise or demonise the situation in Aboriginal places - to kind of look at things through the 'noble innocents' prism or through the 'chronically dysfunctional' prism, and I suspect that is so often the case.
It's true that tribal rivalries have something to do with political instability. It's also true that those rivalries were exaggerated by colonialism. Colonialism essentially insulted the tribal territories, and as a result, nations came to be composed of an agglomeration of many tribes - 65 in Burkina Faso alone. The Mossi majority sees itself as the owner of Africa; others are just negotiators for representation. That is the way it is now, and it is the sole responsibility of colonialism.
When we tour in America, the shows are great, and the fans are just as passionate and excited as anywhere else in the world, but in other parts of the world, in parts of South America and in parts of Europe and Asia, the size of the venues and the amount of people we get at concerts is considerably more.
I saw some amazing, beautiful, invigorating parts of America, but I saw some dark parts of America, an ugly side of America, a side of America that rarely sees the light of day. I refer, of course, to the anus and testicles of my co-star, Ken Davitian.
Like white light refracted through a prism and split into many colors, God's eternal love-nature, expressed through the prism of time, becomes God's multicolored love story. History is His story.
When you have box-office results, Hollywood treats you different. Hollywood stands up. Once you get to the point where Hollywood sees that you create results, then the demand for you becomes higher.
When we say Afro American, we include everyone in the Western Hemisphere of African descent. South America is America. Central America is America. South America has many people in it of African descent.
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