A Quote by Warren Spector

Ray Harryhausen's 'Sinbad' picture was the first film I remember seeing. I was two years old when it came out, and it changed my life forever. I had nightmares about dragons and stuff for years - and loved it!
As a kid, I sat transfixed watching Ray Harryhausen's '7th Voyage of Sinbad.'
My life has changed because somebody fed my family on Thanksgiving when I was eleven years old. It wasn't the food that changed me, it was the fact that a stranger cared. That's what changed my life. That made me the person I am today and have been for the last 37 years. All that came out of that, that simple act of getting a result.
I remember when I was - I must've been 17 or 18 years old - I remember 'The Empire Strikes Back' had a big cliffhanger ending, and it was, like, three years before the next one came out.
I remember seeing this picture my mother had of Dick Clark. It didn't inspire me to be an actor or anything, but when I did 'American Dreams' with Dick Clark, my mother came out, and she showed him this picture of them that was taken 35 years earlier. It was great.
I don't remember the first picture I took, but I actually found a picture of myself on a trip back to my old family home in Malaysia. I'm five years old, sitting on the floor with the family camera in my hand. It was a film camera - not a DSLR - with a fixed lens and a nice manual zoom.
I can remember when Pulp Fiction came out. I was, like, 10 years old. But I remember the impact that it had.
I can remember when 'Pulp Fiction' came out. I was, like, 10 years old. But I remember the impact that it had.
And last, my mom. I don’t think you know what you did. You had my brother when you were 18 years old. Three years later, I came out. The odds were stacked against us. Single parent with two boys by the time you were 21 years old. Everybody told us we weren’t supposed to be here. We went from apartment to apartment by ourselves. One of the best memories I had was when we moved into our first apartment, no bed, no furniture and we just sat in the living room and just hugged each other. We thought we made it.
I always loved movies like 'King Kong' and 'Planet of the Apes,' monster movies, Ray Harryhausen films, all of that stuff. I always loved the music in them, too.
I gave up accounting. I went in for about six months writing ad copy. I was fired from that, and then another guy and I did a kind of poor man's Bob and Ray kind of syndicated radio show. Then I decided to stick it out and see what happened. I'd give it a year, a year became two years, and then two years became three years, and then along came the record album.
My dad's an actor. Ever since I was little, I'd watch him do it, and I was always very into it. I got into when I was about two years old. I started out with print work, doing modeling and stuff. Then I got into commercials and TV. Once I started, I loved doing it. It's just something that I've continuted over the years, and I love it.
I re-mastered 'The Conversation' a few years ago for DVD. 'The Conversation' was the first film I edited on a flatbed machine - a KEM editing machine. I've been using Final Cut or the AVID for 12 years now, so I was interested in looking at this film and seeing if I could tell if it had been edited the old way. Truth be told, I couldn't.
I'm 14 years in the game, ... There's some kids that weren't even born when my first album came out. I wanted to draw a timeline between my old stuff and my new stuff and bridge it to where there's a level of continuity.
'South Park' is so hilarious... I remember when it first came out: that show changed television forever.
You'd look out and there'd be little babies watching the show, and boys and girls. They loved the cowboys, and they loved Annie. There were young people seeing the show for the first time. I stayed for two years because I enjoyed it so much.
I'm kind of putting my toe back in the water and seeing how it feels. We're going to be doing stuff we haven't done for years and years and years. So I'm looking forward to seeing how this stuff flies.
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