A Quote by Wayne Dyer
You must become the producer, director and actor in the unfolding story of your life.
Related Quotes
Become the director, producer, choreographer of your own story
If I have to wear a hat as a producer to do that, then I'm willing to do that. An actor's, producer's and director's point-of-view is all the same to me, as long as the story's being told.
I would like to do all kind of movies, but it all depends on the producer. The director, the actor, and the producer must like it, and they must be clear about it.
An actor puts himself in the hands of a director. And the director's first responsibility, obviously, is to tell the story, but the smallest thing that's not true reads on the screen. So if a director sees that an actor is not believable, he needs to help him become believable.
Whether you're an actor, producer, writer, or director, it's all about the story you're going to tell.
Actors can become very involved in a role, but for a director or producer, that's your life for many years.
The producer can put something together, package it, oversee it, give input. I'm the kind of producer that likes to take a back seat and let the director run with it. If he needs me, I'm there for him. As a director, I like to have the producer there with me. As a producer, I don't want to be there because I happen to be a director first and foremost, I don't want to "that guy."
I never wanted to be an actor. Because when you're an actor, you depend on other people to come to you with scripts. You can't create your own. Unless you are a Raj Kapoor, who was a producer-director.
I feel like, if I'm being honest with myself, my biggest skill set is as a writer 'cause I can do that quickly and I'm really grounded in story structure. Part of my success as an actor, is that I know story well. Part of my success as a director, is how well I know story. Same thing, as a producer. It all begins and ends with me as a story creator. But, I love doing it all.
A lot of times I don't know if I trust the director to tell that film's story. Or I think it's inappropriate for a male director to tell a female story, or a white director to tell a black story. Everyone walks away from a movie differently, because you're relating it to your own life.
The best deal about being a producer is that unlike a director who has to go on the sets even if he doesn't get along with the actor, the producer has the liberty to remain behind the scenes.
As an actor, I'm attracted to drama; as a director, it's humor - because it's the story of my life, and I can't be that serious about it. Being alone is a big theme in all my movies, both as a director and as an actress.
When you are working, be the director's and producer's actor. Value their time and money, be punctual, disciplined, and don't misuse perks that you get as an actor.
You grow up loving movies, and your first instinct is you want to be an actor, because those are the people you see in the movies. But when you actually become an actor, you're like, 'Oh, wait, this is actually only a small portion of the storytelling. If I want to really tell a story, I'd want to be a director.'
As an actor, you tell part of a story. As a writer, you get more of telling that story. But as a director, they're seeing the world through your eyes.
Broadcasting golf is not like broadcasting baseball or football. You see the ball and the action through your own eyes. The story is unfolding in front of you. In golf, the story is unfolding here and there and everywhere. As the guy in the broadcast tower, you're getting it all on screens and from reporters in the field. It's a tricky business.
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