A Quote by Wes Anderson

I just now put [Robert Altman] down feeling heartbroken but happily and deeply inspired. . . . Wonderful. — © Wes Anderson
I just now put [Robert Altman] down feeling heartbroken but happily and deeply inspired. . . . Wonderful.
One of the things that I love about Robert Altman's movies is that, really, a Robert Altman movie is just a bunch of short films about various people told at the same time.
There are some directors I should have worked with. I`d like to have worked with Robert Altman - I turned him down a couple of times when I was younger. My thing now is if it`s a good director I`ll never say no - I`m just gonna say yes from now on.
I took a class my freshman year in high school called Intro To Film, and I was introduced to Robert Altman's films, and I wrote my first paper on a filmmaker and it was Altman's 'M*A*S*H,' and Nashville and I think 'Short Cuts' or 'The Player,' I don't remember.
There's so much confidence and freedom that comes from that way of doing things. Robert Altman and Alan Rudolph make the set the place to be. It's fun. It's a kind of creative freedom that's really inspiring. Altman loved actors so much. He was a great mentor for me, really.
I'm a huge Robert Altman fan and don't take issue with his filmmaking, as eccentric as it is. But I just think 'Nashville' was a world he didn't know.
I'm a big fan of Robert Altman, and one of the things I love in 'The Long Goodbye' is the way that he plays with the theme; it's just used in all these different ways.
I've worked with Robert Altman a couple of times too.
He remained heartbroken, which meant one of two things: either his love was pure and true and earthshakingly significant; or he was addicted to feeling forlorn, he liked being heartbroken.
People so far have been very fond of the Robert Altman movie, as I am, and when one things goes well it shines light on your other projects and now I seem to have a number of projects that are moving forward.
Robert Altman was such an incredible person to have the privilege to know and meet and have dinner with.
Look at the movies of the sixties and seventies. They were making a different kind of movie then. Would 'Network' ever be made now? No. Would 'Kramer vs. Kramer' ever be made now? No. Would 'Tootsie' ever be made now? Probably not. Robert Altman films? Never.
I loved Robert Altman, so gentle yet naughty! And Julian Fellowes writes so beautifully.
Bob Fosse, even though he wasn't gay. He was certainly queer and had a huge effect on the 'Hedwig' film, as did Hal Ashby and Robert Altman, who had a weird butch queer feeling about him. His films almost flirted with camp but in an extremely realistic acting way.
I'd done "Gosford Park," a film that Julian Fellowes had written that Robert Altman directed.
Chekhov would have been an excellent screenwriter. He is singularly good at dipping in and out of a group of people's lives, like Robert Altman did.
The big influence on me was Robert Altman, who, especially in 'Nashville,' transformed my sense of dramatic structure and showed how you could handle overlapping stories.
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