A Quote by Wes Craven
I love the fact that a lot of my audience is people from the inner city. African-Americans love my films.
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I love the fact that a lot of my audience is people from the inner city. African-Americans love my films. Whenever I go to have a meeting at Universal, the security guard just leaps to his feet and comes over, bumps my hand, and says, "Thank you! Thank you, I love your films!" And it's people who are kind of at the cutting edge of life and survival, and being near the nitty-gritty, who like my films, and I like that.
People know Tyler Perry, and there are standards they've come to expect from him. His brand is uplifting, and it's something a lot of inner-city African-Americans can relate to.
I love storytelling and I love just relating directly to an audience. That's why we do theatre, it's because we love contact with the audience. We love the fact that the audience will change us. The way the audience responds makes us change our performance.
Out of 30 years of Second City I was probably the third African-American with the main stage cast. I was surprised when I first heard that. I think part of the reason that improvisation has never been popular with African-Americans is that it isn't popular in the inner cities.
During the campaign [Donald Trump] talked about reaching out to African- American voters in particular. He talked about inner cities in a way that did offend some people. Lot of Democrats. Some African- Americans of saying what have you got to lose.
I love what I do, and I love the audience, and I love the fact that I get to do it, and I love, I love our craft very, very, much, and it's a noble craft. We have a responsibility to it, and to the audience, and to the playwright, and to the message. I won't ever care less.
It was important for me to join the White House because as I looked around Trump's inner circle and campaign, there were not a lot of African-Americans, particularly African-American women, uniquely positioned to serve as a member of the senior staff, to serve as an assistant to the president.
Making African American films are hard in Hollywood. We need to rely on a support network and bring more cohesion to different filmmakers, actors, producers etc. It's a very difficult business. There aren't a lot of Africans Americans or people of color in high positions in Hollywood that we can green-light films.
I'd like to get into the superhero genre. I'd love to do either a DC or a Marvel character. I just love the way they're approaching these characters in these films. I also would love to get back into some romantic films. I love romance films, especially between people of color, because we don't really explore that enough. I would love to do that.
A lot of joblessness in the black community doesn't seem to be reachable through fiscal and monetary policies. People have not been drawn into the labor market even during periods of economic recovery. Employers would rather not hire a lot of workers from the inner city. They feel people from the inner city are not job-ready, that the kids have been poorly educated, that they can't read, they can't write, they can't speak.
A very hurting thing for Black Americans - to feel that we can't love our enemies. People forget what a great tradition we have as African-Americans in the practice of forgiveness and compassion. And if we neglect that tradition, we suffer.
I am extremely eclectic in choosing my films as an audience, and as a direct result of that, I love exploring, I love cinema, and I love learning from different experiences.
I don't photograph for other people. I love an audience, mind you. Once I've got them there, then I love an audience. Not a big audience, though. I'd rather please ten people I respect than ten million I don't. But I don't play to an audience, I do it for myself.
I don't think anyone likes anything of mine. At the end of the day, I love it, but just because I love it... I happen to love broccoli, not a lot of people like broccoli. I always question if somebody else is going to love my films.
I love the sense of belonging in Hong Kong. I love that it is such an international city. I love our food and our language. The people are energetic and passionate. I just really love this city.
I love radical theorists. But at the same time, I don't agree with them a lot, but I love their theories. I love how they intellectualize rage, and this inner battle that such a tiny percent of people really care about. I find that the most interesting.
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