A Quote by Wes Craven

A friend introduced me to Bob Shaye. He was one of the most remarkable men I've ever met. He was a Fulbright scholar, an excellent chef, and very knowledgeable about the arts.
Jalaluddin Rumi is completely rooted in Islamic teachings of Quran. He was a great scholar, he belonged to a madrassa, and he knew Islamic theology and jurisprudence very well. He knew Persian, Arabic and Turkish, which was coming into Anatolia at that time, very well. He was a remarkable, remarkable scholar, besides being a great saint.
This country is filled with remarkable people. One of my best friend's families is from Iran, and they're the most American family of all time. Some of the best people that I've ever met are immigrants.
It was the South African Government that has introduced politics into sport by decreeing politically that no non-white person will represent their country. They introduced politics into sport." And Don [Bradman] was a very shrewd old bloke, and he looked at me for about thirty seconds and then he said, "Bob, I've got no answer to that." And that was it.
[On gay men:] Let me say, a more artistic, appreciative group of people for the arts does not exist ... They are more knowledgeable, more loving of the arts. They make the average male look stupid.
I remember very vividly. I was here in New York. Nancy Holt called me and - I feel unhappy thinking about it - she said that Bob Smithson had died. I said, "Oh, Nancy, what will we do without Bob?" He was a very good friend.
The move to creating stories was a natural progression for me, but the most pivotal time was probably in 6th grade: That year, a friend introduced me to the stories of Ray Bradbury, and a student teacher introduced me to creative writing.
I knew Sinatra for 38 years. He was like my father. Frank Sinatra was my 'dad.' He treated me like his son. He gave me the best advice about singing, about this and that... He was a very sensitive man, very astute, one of the sharpest men that I ever met in my life.
It's been my experience that people who make proclamations about themselves are usually the opposite of what they claim to be. If someone is truly a loyal friend, then they wouldn't need to broadcast it; eventually, people will figure it out. I have a lot of good friends and not one of them has ever introduced themselves by saying, 'I'm a very good friend.'
With its shrewd analysis and its knowledgeable reflections on the state of the arts, as well as a rich array of anecdotes and quotations about patronage, Patronizing the Arts will appeal to a broad audience.
It's amazing how you meet people through other people. I knew a racecar driver, Stefan Johansson, who was very hot. He introduced me to Jean Todt. He introduced me to a French doctor. He introduced me to a French architect who redid the Louvre with I.M. Pei. He introduced me to Daniel Boulud.
Sociopaths are often extremely charming. They are people who are better than you and me at charming people, at being charismatic. I've heard this more often than I can count: "He was the most charming man I ever met," or, "She was the sexiest woman I ever met," or, "The most interesting person I ever met . . ."
How many chefs when I was a young boy shouted at me during service? All I ever said was "Yes, chef." The customer is the most important. If the chef overreacts, fine. At the end of service, you apologize.
I don't know if people know that Sylvester Stallone is one of the most decent gentlemen that I've ever met. He's the most consistent friend I've ever had.
Gandalf, dwarves and Mr. Baggins! We are met together in the house of our friend and fellow conspirator, this most excellent and audacious hobbit—may the hair on his toes never fall out!
I've met kids right out of the Olympics who tell me they can't wait to be introduced by me. After a fight, fighters say, 'Being introduced by you, what a thrill.' That's probably the best compliment I can get.
In intercourse with scholars and artists one readily makes mistakes of opposite kinds: in a remarkable scholar one not infrequently finds a mediocre man; and often, even in a mediocre artist, one finds a very remarkable man.
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