A Quote by Wes Craven
The thing of sitting in an audience and going into a dream-like state with several hundred other people that are sharing exactly what you're feeling is a profound event.
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I don't know, I always had an active dream life, and there's something so profound and wonderful about a movie. It's so alive. It's so shared. The thing of sitting in an audience and going into a dream-like state with several hundred other people that are sharing exactly what you're feeling is a profound event.
What I love about the theater is that you know who you're acting for: your audience. And the thing I find really hard in film is, you don't. The audience is invisible. And we're sitting there, hoping there's other people out there.
The terrible thing in England is if you interview a thousand people, five hundred of them will talk like they're going into a Guy Ritchie movie and the other five hundred will be Mr. Darcy. So we had to find cool, working class kids with no profile who could be John Travolta and James Dean and people like that.
I think the audience is getting it right, you know what I mean? And that's kind of rare when the artist feels like their audience understand them. But I feel like people are understanding exactly what I'm going for. And that's awesome.
Let us take some event in the life of humanity. For instance, war. There is a war going on at the present moment. What does it signify? It signifies that several millions of sleeping people are trying to destroy several millions of other sleeping people. They would not do this, of course, if they were to wake up. Everything that takes place is owing to this sleep.
Dreams are a reservoir of knowledge and experience yet they are often overlooked as a vehicle for exploring reality. In the dream state our bodies are at rest, yet we see and hear, move about and are even able to learn. When we make good use of the dream state it is almost as if our lives were doubled: instead of a hundred years we live to be two hundred -- Tibetan Buddhist Tarthang Tulku from
To achieve the intimacy between performer and audience in storytelling, I feel like I have to let the audience in on my emotional state, not just, "Here's a story I'm going to tell by rote, and you're just going to listen to it, because I'm such a wonderfully entertaining fellow." It's the idea of sharing enough of myself that it's not just all about, "Look at me, look at me." There's an element to it of, "You understand what I'm talking about, right? You've been in this place that I've been in," which makes it a richer experience.
What I feel that "Alice in Wonderland" did for me and other people in exploring your dream state, and using fantasy in your dream state to deal with real issues and problems in your life. People like to separate those things but the fact is that they are things that are intertwined.
I didn't know how to check other people's feeds. When I started Instagram, it was just me posting! But then at some point, like eight months ago, I realized I could see what other people were sharing. It was so exciting and so fun, but it was like I'd already gotten into the rhythm of sharing and not worrying about what it was like compared to other accounts. I think that was kind of protective, in a way.
The space shuttle has been a fantastic vehicle. It is unlike any other thing that we've ever built. Its capabilities have carried several hundred people into space.
I think the New York theater audience is very savvy. Sometimes you get newbies who think they're going to be watching Smash onstage, and sometimes you have people who have been coming to theater for years. It's the combination of those people in an audience that makes for a pretty amazing night - their ability to give each other permission to react and enjoy, in a way that maybe they wouldn't if they weren't sitting next to each other.
There are other concerns in this state [of Mecklenburg-Western Pomerania], which is one of the prettiest. It's also one of the poorest, where people here are making less than the national average. Unemployment is higher than the national average, and a lot of the young people, especially, have left because there just aren't jobs and that sort of thing. So you have that going on, the feeling that that hasn't really changed in years or at least with their help - with the last state government.
People talk of beauty lightly, and having no feeling for words, they use that one carelessly, so that it loses its force; and the thing it stands for, sharing its name with a hundred trivial objects, is deprived of dignity. They call beautiful a dress, a dog, a sermon; and when they are face to face with Beauty cannot recognise it.
You can know that the final show is coming up, and prepare yourself for it mentally, but when it finally occurs, it's like a dream. You stand there feeling the love the audience has for you, and you think, 'Is this really going to end?
In a country where people's attention span is short and they are holding the clicker in their hand, and they got a hundred other options, you have to basically understand what the audience is responding to. If you don't, you're going to fail.
If you love something, if you're passionate about it, that's where you're going to have the greatest impact on the people around you: by living in those passions and sharing that passion with other people and sharing your gifts and what God created you to be.
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