A Quote by Wes Nisker

Poetry is the special medium of spiritual crazy wisdom, the form of expression that comes closest to creating a bridge between words and what is wordless. — © Wes Nisker
Poetry is the special medium of spiritual crazy wisdom, the form of expression that comes closest to creating a bridge between words and what is wordless.
Poetry is creative expression; Prose is constructive expression... by creative I mean original. In Poetry the words are born or reborn in the act of thinking... There is no time interval between the words and the thought when a real poet writes, both of them happen together, and both the thought and the word are Poetry.
Words build a bridge between the imaginations of writer and reader, creating something unique between them.
Poetry can be the bridge, the crossover point in the mind between the physical and the spiritual. A place where the two can meet.
Zen has an expression, "nothing special." When you understand "nothing special," you realize that everything is special. Everything's special and nothing's special. Everything's spiritual and nothing's spiritual. It's how you see, it's what eyes you're looking through, that matters.
The medium of poetry is not words, the medium of poetry is not lines-it is the motion of air inside the human body, coming out through the chest and the voice box and through the mouth to shape sounds that have meaning. It's bodily.
After Pope, in the beginning of Romanticism, people developed the idea that imagination rather than reason was a special form of knowledge and its best expression is through poetry. Therefore, poetry should not try to do the stuff that mere prose does: convey information or make arguments about ideas.
Poetry is halfway between prose and music: it is sometimes like an intimate conversation, in words and phrases which need not be fully uttered, and sometimes like dancing and wordless music.
We do have to learn poetry at school. Poetry is interesting to me, particularly Chinese poetry. It's like an ancient form of song. There's five sentences, seven sentences - they're very different from English poetry. Chinese poetry is much more rigorous. You can only use this many words, and they will form some kind of rhythm so people can actually sing it. To me, poetry is quite abstract but also quite beautiful.
An image is a bridge between evoked emotion and conscious knowledge; words are the cables that hold up the bridge. Images are more direct, more immediate than words, and closer to the unconscious. Picture language precedes thinking in words; the metaphorical mind precedes analytical consciousness.
There's no difference between lyrics and poetry. Words are words. The only difference is the people who are in academic positions and call themselves poets and have an academic stance. They've got something to lose if they say it's all poetry; if there's not music to it, and you have to wear a certain kind of checkered shirt or something like that. It's all the same. Lyrics are lyrics, poetry is poetry, lyrics are poetry, and poetry is lyrics. They are interchangeable to me.
The subject of Finnish poetry ought to have a special interest for the Japanese student, if only for the reason that Finnish poetry comes more closely in many respects to Japanese poetry than any other form of Western poetry.
A medium is a bridge between two minds.
One of the dreams of Zionism was to be a bridge. Instead, we are creating exclusion between the East and the West instead of creating bridges; we are contributing to the conflict between East and West by our stupid desire to have more.
At the end of the day, some authors will endure and most, including some very good ones, will not. Why do I think reading is important? It is such an effective medium between mind and mind. We think largely in words. A medium made only of words doesn't impose the barrier of any other medium. It is naked and unprotected communication. That's how you get pregnant. May you always be so.
The closest thing I have to a manager is my parents, for all their words of wisdom and business experience.
My aim is to escape from the medium with which I work; to leave no residue of technical mannerisms to stand between my expression and the observer. To seek freedom through significant form and design rather than through the diversion of so-called free and accidental brush handling.
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