A Quote by Wesley Morris
Mr. Clooney has directed six movies; five are set in the middle of the previous century. And 'Suburbicon' clarifies why. Race is a blind spot.
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'Suburbicon' feels like a last gasp of some kind of middle. It thinks it's both frivolous and serious. But, for that, you need a touch that George Clooney's never had.
Justice Jefferson has a blind spot on race. You know, more than a blind spot. A terrible blemish on his legacy, slavery, for which he's properly excoriated. So, I think [Louis] Brandeis has done this as well.
Spare a thought for 'Suburbicon' as it swiftly vanishes from America's megaplexes. This is George Clooney's movie about - well, I'm not sure. It's supposed to be the sort of movie that doesn't get made much anymore: starry, not that expensive, 'middlebrow.'
'The Blind Side' took forever to get it out of 20th Century Fox in turnaround. It was one of three different movies I was involved with then. 'The Blind Side' just happened to be the one that got made.
Money is color-blind, race-blind, sex-blind, degree-blind, and couldn't care less who brought you up or in what circumstances.
My father in the film - which we probably haven't seen in previous movies, and in British Asian movies you could probably count on one hand - he says exactly why, actually why he's frightened for his daughter. He came to this country, England, and had a bit of a crappy time.
Filmmaking is not about gender. You cannot ask a president in a festival like Cannes to have, like, five movies directed by women and five by men.
The worst crimes against humanity in the last half of the previous century and this century are carried out with conventional advanced weapons, upgraded daily by a greedy arms industry, super power's apathy and criminal ideologies. In the Middle East, Iran lags behind many other military powers in this respect.
Critics say Arnold has no previous government experience, but advisers say he's clearly the most qualified Austrian, ex-Mr. Universe in the race.
'm constantly depressed by the Mexican gang members I meet in East L.A. who essentially live their lives inside five or six blocks. They are caught in some tiny ghetto of the mind that limits them to these five blocks because, they say, "I'm Mexican. I live here." And I say, "What do you mean you live here - five blocks? Your granny, your abualita, walked two thousand miles to get here. She violated borders, moved from one language to another, moved from a sixteenth-century village to a twenty-first-century city, and you live within five blocks?"
It is a stark and arresting fact that, since the middle of the 20th century, humankind has consumed more natural resources than in all previous human history
Television is a great job for a writer in the way that movies used to be, way before my time. Back when writers in Hollywood were on staff or under contract at any given studio and you'd write movie scripts and then the movies would get made within a few weeks, such that you could be a working writer in the movie business back in the '30s and '40s and '50s and have a hand in writing five or six movies a year that actually got produced. The only thing remotely like that in the 21st century here in Hollywood is working in the TV business.
One day during filming, George Clooney was wearing his surf shirt and board shorts, and my six-year-old daughter was in the background as an extra, playing in the sand - playing herself. She and Clooney suddenly looked equally Hawaiian, equally related to the place I call home.
Even from a really young age I was a huge movie buff - five, six, seven, eight. Just loved movies, but in a more in-depth way than most kids that loved movies at that time. I'd find a filmmaker or something and want to see all his movies.
If Mr. Vincent Price were to be co-starred with Miss Bette Davis in a story by Mr. Edgar Allan Poe directed by Mr. Roger Corman, it could not fully express the pent-up violence and depravity of a single day in the life of the average family.
The brain "fills in" the missing information from the blind spot. Notice what you see in the location of the dot when it's in your blind spot. When the dot disappears, you do not perceive a hole of whiteness or blackness in its place; instead your brain invents a patch of the background pattern. Your brain, with no information from that particular spot in visual space, fills in with the patterns around it. You're not perceiving what's out there. You're perceiving whatever your brain tells you.
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