A Quote by Feist

I think I prefer the constant renewal. It's almost like sandpapering down any details or any contour of familiarities. — © Feist
I think I prefer the constant renewal. It's almost like sandpapering down any details or any contour of familiarities.
A relapse doesn't mean you'll never walk down the path you prefer. But I think relapses are almost an inevitable part of any course of self-development.
No president who performs his duties faithfully and conscientiously can have any leisure. If he entrusts the details and smaller matters to subordinates constant errors will occur. I prefer to supervise the whole operations of the government myself rather than entrust the public business to subordinates, and this makes my duties very great.
I almost feel like there's some kind of connection that I'm having trouble putting in to words, in the same sense that I'm learning things from my children still. I think, just like any relationship, if I choose to become twisted and bitter it can be a source of distress or discomfort. But I think I've come to terms with the fact that I would prefer to see it as a gift. And I would prefer to see it as something that empowers me rather than something that diminishes me in some way.
Well, any time I'm preparing for a performance or even a rehearsal, it's as if in a way, like any other athletes, these are muscles that support the vocal cords which are just I believe cartilage. It demands a kind of constant warming up and a constant feeling of where is the voice today.
Well, any time Im preparing for a performance or even a rehearsal, its as if in a way, like any other athletes, these are muscles that support the vocal cords which are just I believe cartilage. It demands a kind of constant warming up and a constant feeling of where is the voice today.
I think if you have a comic perspective, almost anything that happens you tend to put through a comic filter. It's a way of coping in the short term, but has no long term effect and requires constant, endless renewal. Hence people talk of comics who are "always on." It's like constantly drugging your sensibility so you can get by with less pain.
I like to do my contour the bronzy kind of way so it is not too strong and you can see the highlights on the cheekbones. I use bronzer as my contour.
I almost always do things that I like, in some form or fashion. Every once in awhile that means that I don't think the script is any good and I don't have any trust in the people, but the film is shooting in Sri Lanka, or somewhere like that, so I'm going.
Like any other spiritual transformation or renewal, conversion must begin with an honest and a sincere admission that we need God's trans-formative power in our lives to achieve any real change, no matter the perspective from which we might begin.
Almost any American can connect on some level to a family background of having come across some ocean. They say, 'My great-grandparents came from wherever... this is why we have this last name, why we do this thing at Christmas.' All the details get watered down but don't quite disappear.
Almost every part of the mile is tactically important: you can never let down, never stop thinking, and you can be beaten at almost any point. I suppose you could say it is like life.
I think sadly in any industry and in any work related environments females always strive to achieve a certain amount of perfection whether they be skinny or pretty. It's constant in our society.
If you grew up in London's East End you'd probably be inclined to be into something like grime music. But if you're removed from it, like in Guernsey, you can have a wider set of influences, and you're not tied down to any genre or any scene. I think that affects my sound, for sure.
Rather than pinpointing any particular part of the country as a place where the family lives, I would prefer to have readers think we live just down the street from their own home.
For each detail I include, I throw dozens away. So I guess the first trick is to pick the right details, the most revealing details. Then I think one must simply write quick, clean, bright prose. For me, this means rewriting and rewriting: almost never adding, almost always cutting.
There are little details in everything you do, and if you get away from any one of the little details, you're not teaching the thing as a whole. For it is little things which, together, make the whole. This, I think, is extremely important.
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