A Quote by Felipe Massa
My first year, I was really a kind of a wild guy. But I had a very difficult car to drive and I was very young. I think I was maybe too young to have started straight away.
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People don't understand this, but I started very young, and I became very, very successful at a very young age. By the time I was 26 years old, I was a multimillionaire. And I started with nothing. And I was on the road 10, 11 months a year.
I guess I'm lucky in that I started working very young in all three of the mediums. I started in stage first, and then I moved into film, also very young, and when I did 'Taxi,' for instance, it was live in front of an audience but also filmed; that was a fun combination.
I took piano lessons when I was really young, like five years old, and I didn't really enjoy that very much. It was kind of too strict. So when I was probably 11 or 12, I started playing guitar and just kind of taught myself.
I'm quite jealous of my Scottish relations, in whose culture everyone, in a Jane Austen kind of way, got married very young, when you're too young to be cynical or jaded and just started having children.
The other thing that was very noticeable on that tour, not so much in the video, was the new young element that were coming to our shows... I started to see some very young people in the audience... maybe 14, 15, 16 years old.
I've never had a very closely connected family. My parents split up when I was young and I was living with my mom for a little while, then I was kind of just on my own really young. It wasn't some kind of global tragedy, it was just never really a very close-knit family. So there was support in the sense that they didn't stand in my way.
I was runner that really started focusing on swimming at a very young age, and that's kind of how I got into acting. I was at a school for gifted athletes and gifted artists, and I got injured one year and started hanging out with all the actors and dancers and all those crazy people and started getting the bug.
I was very, very young when I first started acting. My first movie role I was in, I was eight years old at the time. My mom got me involved in community theater stuff when I was like five or six years old. How I learned to read was by reading the captions on TV, and I grew up from a really young age watching tons of movies and television.
It's very difficult to figure out, for me, what stops really talented young female filmmakers from having the kind of careers that their really talented young male counterparts are having.
I think maybe I might tackle something that doesn't reach down to a very, very young audience, like more of a kind of teenager and upwards.
You get older, and people start passing away. And so if you're lucky - my mom died very young, for instance, and I have friends who died very young - but the point being that, I think if you're awake, you know you're going to pass on. And that the real treasure in life is the long term - relationships that you really value.
When I first started in rock, I had a big guy's audience for my early records. I had a very straight image, particularly through the mid '80s.
When I was very young, there was a lot of music at home, mostly jazz. I was walking around singing and pretending I was in bands from a very young age. But the first song that was really personal to me was 'Blue Suede Shoes'.
I have had a very singular kind of life since I started working so young, so I am very used to traveling, working, taking time for myself.
A big success can be very confusing if it comes too early in your life. When you are young, you are more vulnerable to vanity. I was 36 when I wrote The Shadow of the Wind and the success of it was very gradual. If you have this kind of success straight off, I think there is a danger you can become an idiot, because you don't have a perspective. It hasn't changed me a lot. I fly first class now. But those things don't change you. If I am pretentious, I was before, I haven't changed. The only thing is, I am less anxious now.
It seems to me that Mr. Sculley understood the very nucleus of existence, that he had kept his young eyes and young heart even though his body had grown old. He saw straight through to the cosmic order of things, and he knew that life is not held only in flesh and bone, but also in those objects - a good, faithful pair of shoes; a reliable car; a pen that always works; a bike that has taken you many a mile.
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