A Quote by Felicity Jones

I always think Michelle Williams is excellent in her work. And I do love Sofia Coppola. She always creates something so atmospheric. I love Wes Anderson, Roman Coppola, Andrea Arnold.
I would love to meet or work with Sofia Coppola. Or Wes Anderson or Spike Jonze. I'd love to meet them. The way they film, it's all so geometric.
Sofia Coppola is wonderful, and I'd love to work with her.
I even think the commercial element of new American directors is really fertile right now. There are a lot of filmmakers with very particular visions, like Sofia Coppola and Wes Anderson and P.T. Anderson and Alexander Payne and Peter Sollett and Harmony Korine and Vincent Gallo. At least they're making films that they choose to make, and they're on their own. That's positive to me. This is not a dead period for American cinema at all.
Honestly, this will never happen because she's so much classier than me, but I would love to work with Sofia Coppola.
I'd love to work with Francis Ford Coppola. I met Coppola on an airplane.
I'd love to work with Tarantino, Scorsese, Sofia Coppola - all of them! I love thrillers and action movies. I love good horror films. I watched them so much when I was younger that I find it impossible to get scared.
I'd love to work with Michelle Williams. I think that she's incredible. She's such a great actress and I love her.
For me, I am a huge fan of Sofia Coppola and Lynn Shelton. I love Lena Dunham, like everybody else. I love Kathryn Bigelow.
Making my first record, I was really inspired by all the color palettes Sofia Coppola has in her films.
On my first album, I felt like, if it was going to be turned into a movie, it would have been directed by Sofia Coppola. She creates this kind of pastel-colored palette that's very whimsical but also very stagnant. And that's really how I heard the record.
I love Michelle Williams. I think she's extraordinary. I was such a fan of 'Blue Valentine,' and I heard stories about how Ryan Gosling and Michelle Williams worked on that. They lived together for a period of time as rehearsal. From nine in the morning to five at night, living in a space together. The work is really awe-inspiring.
I always look at my favourite photographs or favourite movies by James Bidgood or Sofia Coppola before I write my songs - they put me in the right frame of mind.
I had always liked, well, who didn't love Lestat and fall in love with 'Interview with the Vampire,' and 'Nosferatu,' and Coppola's 'Dracula' with the awesome costumes? So I loved all that.
I just worked with Sofia Coppola and that was amazing. I learned so much from her. I can't even describe how much fun I had.
The director Sofia Coppola's new comic melodrama, 'Lost in Translation,' thoroughly and touchingly connects the dots between three standards of yearning in movies: David Lean's 'Brief Encounter,' Richard Linklater's 'Before Sunrise' and Wong Kar-wai's 'In the Mood for Love.'
"Lost in Translation" by Sofia Coppola. It's a masterpiece. I laughed a lot but was also overwhelmed by the story - a rare combination.
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