A Quote by Fernand Leger

Modern man lives more and more in a preponderantly geometric order. All human creation mechanical or industrial is dependent upon geometric intentions. — © Fernand Leger
Modern man lives more and more in a preponderantly geometric order. All human creation mechanical or industrial is dependent upon geometric intentions.
Within the human consciousness is the unique ability to perceive the transparency between absolute, permanent relationships, contained in the insubstantial forms of a geometric order, and the transitory, changing forms of our actual world. The content of our experience results from an immaterial, abstract, geometric architecture which is composed of harmonic waves of energy, nodes of relationality, melodic forms springing forth from the eternal realm of geometric proportion.
They certainly aren't connected with the old geometric art. My work isn't geometric in that sense.
A game of chess is a visual and plastic thing, and if it isn't geometric in the static sense of the word, it is mechanical, since it moves. It's a drawing; it's a mechanical reality.
Geometric shapes hold an energy pattern, and scientists did some experiments which say certain geometric shapes can affect matter around them. It's simply because when a human looks at a shape, they instantly receive energy from their brain.
My forms are geometric, but they don't interact in a geometric sense. They're just forms that exist everywhere, even if you don't see them.
Architecture is the triumph of human imagination over materials, methods, and men, to put man into possession of his own Earth. It is at least the geometric pattern of things, of life, of the human and social world. It is at best that magic framework of reality that we sometimes touch upon when we use the word order.
Geometric calculus consists in a system of operations analogous to those of algebraic calculus, but in which the entities on which the calculations are carried out, instead of being numbers, are geometric entities which we shall define.
Now ... the basic principle of modern mathematics is to achieve a complete fusion [of] 'geometric' and 'analytic' ideas.
As you know, Bergson pointed out that there is no such thing as disorder but rather two sorts of order, geometric and living.
In geometric and physical applications, it always turns out that a quantity is characterized not only by its tensor order, but also by symmetry.
The issues are by some geometric number - 100 or 200 or 500 - times more complicated today than we appreciated them to be when Franklin Roosevelt was around.
I feel more and more as if time did not exist at all... only various spaces interlocking according to the rules of a higher form of stereometry[the geometric measurement of solid bodies], between which the living and the dead can move back and forth as they like, and the longer I think about it the more it seems to me that we who are still alive are unreal in the eyes of the dead.
The earth is, of course, not the geometric center of the universe. But it is certainly the center of our lives.
Divide in yourself the mechanical from the conscious, see how little there is of the conscious, how seldom it works, and how strong is the mechanical - mechanical attitudes, mechanical intentions, mechanical thoughts, mechanical desires.
When I write a song, I see a tunnel, and then the chorus is an open space, or the bassline is doing this shape. I see songs as a more of a geometric, spacial experience.
Most people don't live aware lives. They live mechanical lives, mechanical thoughts - generally somebody else's - mechanical emotions, mechanical actions, mechanical reactions.
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