A Quote by Fetty Wap

The first song I did was over a Chief Keef beat - Understand Me. I did that in, like, 2011 or 2012, I think. — © Fetty Wap
The first song I did was over a Chief Keef beat - Understand Me. I did that in, like, 2011 or 2012, I think.
The first song I did was over a Chief Keef beat - 'Understand Me.' I did that in, like, 2011 or 2012, I think.
When you're a Chicago artist, to play Lollapalooza, that's not a normal thing. It's artists on a path to a certain place that do that. Chief Keef did it; Kids These Days did it; Cool Kids did it. And I'm the next Cool-Kids-Chief, if you will.
I listen to him [Chief Keef] the most. I like his older mixtapes a little better though, because old Chief Keef scared me - I thought he was about to pop up out of nowhere with a hoodie on and shoot me.
People always tell me I'm the complete opposite of Chief Keef and act like I'm supposed to stop him from making his music. But I like Chief Keef, so it's always super awkward. I just make music I like.
'I Want To Hold Your Hand' is a great classic by Paul McCartney and John Lennon, I sure love that song. I did like the classic version, a rock-oriented song, then someone heard me do it with the Grant Green approach - Grant Green and Larry Young did it, with a bossa nova beat on the funky side.
When we did the 'Titanic' theme, that song was everywhere. At the time we did it, it wasn't an old song. We didn't really listen to that song. We're not fans of the song. It was more about taking the song everyone knew and making it sound like a New Found Glory track.
The songwriting did come naturally; it really did. Like Joe said, the first song we ever wrote together was the song that got us signed, you know, so it was either luck, fate, or something in between.
When I first went on the 'Johnny Carson show', the band did not want me, and Carson did not want me. If the audience had not received 'Tiptoe' so overwhelmingly, I do not believe Carson would have let me come over to be on the panel after the song.
Dancing is very important to people who play music with a beat. I think that people who don't dance, or who never did dance, don't really understand the beat... I know musicians who don't and never did dance, and they have difficulty communicating.
One of the first things I did when I finished my Ph.D. was work with the police to look at what happened during the London riots in 2011, which took over the city.
The first real unhappiness I remember to have felt was when some one told me, one day, that I did not love God. I insisted, almost tearfully, that I did; but I was told that if I did truly love Him I should always be good. I knew I was not that, and the feeling of sudden orphanage came over me like a bewildering cloud.
There was one time I wrestled two boys and I beat them both! They weighed a lot less than I did and I think they didn't want to hurt a girl, so I don't know if I really won - I'd like to think I did.
I think people are enticed by indie rap and every time you have a group going against the grain, they're gonna be like, 'Wow, you did it yourself in 2012, that's impressive - how did you do it? What're you doing that's different? And how can I be a part of it?'
I don't remember things initially when listening to music. Like, I don't remember where I first heard a song, I don't have nostalgic attachment to a song in that it reminds me of such and such a time or place. I think I probably did experience that somewhat when I was not a full-time, professional musician, but I don't think music works that way for people who are in it constantly.
I think people understand me, me as a person and what I went through because I kept it on the plate. I never hid nothing. I was never in the closet. I smoked dope, I gang banged, I did this, I did that; whatever I did it was always out.
I'm the guy who wrote The Authority Song. Did they think I was kidding? Did they think it was only a song to entertain?
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