A Quote by Phoebe Dynevor
I don't think you can ever really prepare yourself for something to hit like Bridgerton' did, because there's not many things that hit like that.
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Chemistry is really about two people who like to act together, I think. It's like tennis in the most cliched way. It's like if you hit the ball, they hit the ball back, and they don't hit it into the stands, and they don't put the ball in their pocket and walk off - and they don't argue with the umpire, you know?
I don't really set personal goals for home runs or anything like that. However many I hit, I hit. If I'm making consistent contact and hitting the ball hard, then I will hit home runs.
I really enjoyed being able to be one of the people who weighed in on the events. As hard as it is to do that every day, because it is exhausting, it really is fun to do that, especially when you feel like you really did something well, and it really hit.
I don't ever have the pressure of making a hit, because I've never had a hit song, per se. The closest thing to a hit song was 'Shiraz,' and it's not your prototypical hit song, with a catchy hook and all this other stuff.
Writing-wise, I like to have a lot of things on the burners at once, because when I hit a wall, I like to move on to the thing I haven't hit a wall on.
That's what stock-car racing is. You hit someone, or you get hit. That's something I had to learn. It's a key factor in why I'm so aggressive. I don't want to have to hit you. But if you're going to hit me, I'm going to hit you.
You don't think much of the individual, because you don't think you've hit him and you hope that he will bail out or something; it's the aeroplane you've hit . . . normally it was more of a game if you like, you were outwitting and shooting down another aircraft, you were simply hitting metal.
The crazy thing is, the last club I ever learned to hit was my driver. My brother and I ended up being known for our distance, but we had no idea how far we could hit the ball because we hit it the same, and all of a sudden, we're going to tournaments, and we're driving the par-4s. At 10 years old, I was hitting it, like, 240.
As a woman, I have access to hit women in a way that men might not be able to hit them with jokes. I don't mean physically hit. But you know, because I'm a woman, I can say things about women because I know what it's like to be a woman, if that makes any sense.
Mum would hit us with anything. You'd see her looking for something to hit you with, and you'd think, please let it be something reasonably soft. She threw a chair at me once. It was like being in a western.
You always measure success by what you did last. It's hard to measure that because it's something that just comes. If someone can just make a hit, they would do it everyday. But you can't make a hit that you know is a hit every day.
Has he ever trapped you in a room and not let you out?
Has he ever raised a fist as if he were going to hit you?
Has he ever thrown an object that hit you or nearly did?
Has he ever held you down or grabbed you to restrain you?
Has he ever threatened to hurt you?
If the answer to any of these questions is yes, then we can stop wondering whether he'll ever be violent; he already has been.
This whole game of hit and flops will always be there and I have survived because I am hit. I think industry works on hit and flop.
I tended not to be concerned about whether a song was going to be a hit when I wrote it. Because it became evident that none of us knew what was a hit and what wasn't. So I thought if I just write what I like, why shouldn't people like what I like?
It's the same when you listen to any kind of successful athlete. My older brother has a useful name for them - he calls them lottery ticket careers. I are engaged in what he calls these lottery ticket careers. On the one hand it's very, very unlikely that you're ever going to hit it. On the other hand if you do hit it, you really hit it. You have to be engaged with it, though, maybe you're entire life. And if you never actually do hit it? You kind of jovially lie yourself along the way and recognize that it may produce things outside the hitting it kinds of goods, I suppose.
I don't think songs have to be like these super-#1-smash-hit-sounding songs, because I think it's more important that it's like, 'Hey! This is coming out of me. This is something I connect with. This is something that I like to sing.'
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