A Quote by Phoebe Dynevor
There's always something that I really need to do for a role. And for Bridgerton,' it was, I need to make this person relatable and real, and modernize her.
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I always like to meet the people I'm going to photograph. I need to have a conversation. I need to feel a vibe. I need to see what's going on in the person. I'm not just interested in physical beauty. I really need a personality.
Rejection's just something that you need to get used to and you need to accept it and you need to know there's always going to be someone that's smarter, prettier, younger, or knows the right person over you.
Everyone needs to take that time to figure out who they are. The fact that there's no love interests in 'Moana' - it's all about her - is very relatable. You don't need another person to help you find yourself.
Just as we need to encourage women to test life's many options, we need to acknowledge real limits of energy and resources. It would be pointless and cruel to prescribe role combination for every woman at each moment of her life. Life has its seasons. There are moments when a woman ought to invest emotionally in many different roles, and other moments when she may need to conserve her psychological energies.
A sister is the one person you can call in the middle of the night when you can't sleep or the one who doesn't want to hear about your problems unless you're ready to do something about them. She's the one who is there when you need her or the one whose absence when you need her hurts the most.
As Aunt Naomi was listing all the things she was going to do to help this person, her friend stopped her in mid-sentence. "Naomi, girl," she said, "you need to resign as general manager of the universe. You need to learn that sometimes the best way to help a person is to let them help themselves. Otherwise, they never learn how. And they are always going to make their problems your problems."
I think it's helped me evolve all around, as an artist and as a person. I think we need something, need something to believe in. We need something that makes us pay attention to these humbling experiences.
We need not to be let alone. We need to be really bothered once in a while. How long is it since you were really bothered? About something important, about something real?
I always think it's interesting to switch genres, because if I read a script and I know exactly how to manifest a story, I don't really want to do it anymore, because I've already done it in my head. It becomes less interesting. If I read something that's challenging, I get really passionate and usually fall in love with it, because I feel I need to do it. I need to tell the story; I need to find a way to make it happen.
If you are not physically strong, it's difficult. But at the same time, I think you need something more than that; you need to vary your shots, as Justine has been able to do in Amelia or Charleston, where she beat her -- I can't remember where it was on clay. So you need this kind of thing. But of course if you're not fit, you'll never make it through.
I wished to punish her for her intolerable stoicism, which made it impossible for me to ever be truly needed by her in the most profound ways a person can need another, a need that often goes by the name of love.
I still feel about 22. I don't understand, actually. I mean, as I got older, I thought there would be things like, 'I need a house now', 'I need kids', 'I need a licence to drive', but I have never really had that happen. I guess that forms part of my appeal for the people who like the stuff I do: I'm not a real person - I'm a gypsy.
I want to be looked at as a positive role model and a person who supports the community. I want to help the kids who are in need and need a role model to look up to to show them the way.
I always like to make people happy, make them have a good time. It's pretty obvious if the room is dead - if no one is cheering or singing or whatever, there's obviously something wrong. I always try to look for euphoric feelings, things people are excited that they're hearing, and then I build from there. It's hard to explain, actually. When I'm in the mood, I just feel it. Now they need something with vocals, now they need something hard, something soft.
We need to think harder and smarter. What we really need is holistic analysis, not holistic media data. We need to make better use of what we have. We need to dig deeper and ask, 'Do you need to repeat the whole study or can you examine the bits that have changed and re-calibrate?'
Even when writing your own poems, you need to talk to people; you need to magpie around, getting words and things. I'm very against the celebrity culture that wants to say: 'this is a genius, this is one person who has done something brilliant.' There are always a hundred people in the background who have helped to make it.
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