A Quote by Phoebe Robinson

Let's be real: more often than not, Hollywood does not have three-dimensional characters for women to play. — © Phoebe Robinson
Let's be real: more often than not, Hollywood does not have three-dimensional characters for women to play.
Comedy in the past hasn't spoken to women because it wasn't written by women, and male writers don't make women three-dimensional characters. Too often, women just facilitate the man's comedy: they're not crazy; they're not funny. But women are as vulgar as they are elegant, as stinky as they are smelling of eau de parfum.
I think that there are a lot of male writers and directors in Hollywood, and a lot of the female characters you do see are really one-dimensional, but I think that's changing more and more as there are more women taking control in Hollywood.
It's important for people of colour to have the opportunities to play characters that are as nuanced - as three-dimensional, as human - as the characters who we traditionally see getting to play the protagonist. The good guys and the bad guys. The reason that is important is because it's a better reflection of the reality of the world we live in.
There are so many female roles - particularly for young women - that are just somebody's girlfriend or somebody's daughter, or that are accessories to the main story rather than being three-dimensional characters.
I never want to make any characters one-dimensional, especially as women can often be portrayed as the dark one or the evil one.
I like to play smart, three-dimensional women. I also like to play roles where the women are a little crazy. I just have a feel for crazy people.
What's so dumb is that women are 50 per cent of the population, and they want to spend money to see movies where they're portrayed as three-dimensional characters.
My dad's more three-dimensional than Opie Taylor or Richie Cunningham. He even has a temper! He's a real person. But some people are disappointed by that.
It's certainly more interesting for me as an actor, but I think it's also more interesting for the audience to see three-dimensional characters, rather than just a bad guy or a good guy.
Painting does what we cannot do - it brings a three-dimensional world into a two-dimensional plane.
Painting does what we cannot do—it brings a three-dimensional world into a two-dimensional plane.
I find often in Hollywood there are many people who play themselves really beautifully. And certain parts are not that dissimilar from who you are as a person. And there are other parts where you would like to think that you have nothing in common with those characters, but you probably do have more than you think.
I like three-dimensional characters - it's just more interesting when you get on set.
In my theater work, I've had much more three-dimensional, broader-stroke characters.
Here are examples of real women who have done real things: good, bad, and in between. We're expanding not just the definition of the female or feminine hero, but also villains and more complex, nuanced female characters. Too often I hear men say, "I don't know how to write women." Here you go, here are five incredible women you can use to inspire your own stories.
I would like to carve my novel in a piece of wood. My characters—I would like to have them heavier, more three-dimensional ... My characters have a profession, have characteristics; you know their age, their family situation, and everything. But I try to make each one of those characters heavy, like a statue, and to be the brother of everybody in the world.
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