A Quote by Phil Klay

Writing fiction was a way to take the ideas that troubled me or confused me and put them under pressure. — © Phil Klay
Writing fiction was a way to take the ideas that troubled me or confused me and put them under pressure.
I tend to write longer narrative pieces after I've finished writing a novel - when the fiction's finished and put away, and I have a chance to take all the ideas that are buried inside of my novels and work with them directly.
Music was never just a hobby for me. I'd pick up a guitar every day to work on whatever I was writing at the time. I would put my ideas in songs the way some people might put them in diaries or journals.
The expectations some Americans put on me is too much, is what I would say. But I don't take it that way. I know no one means harm to me like that or wanting to put too much pressure on me.
Memory is like fiction; or else it's fiction that's like memory. This really came home to me once I started writing fiction, that memory seemd a kind of fiction, or vice versa. Either way, no matter how hard you try to put everything neatly into shape, the context wanders this way and that, until finally the context isn't even there anymore... Warm with life, hopeless unstable.
I want to be the best, but it comes with a lot of work. And it can be pressure if you put it on yourself in that way. But if I keep going the way I'm going, and with the good Lord guiding me the way he's been guiding me, and the way I let him take control of my life, the sky is the limit.
It hurt me a great deal. It put a lot of pressure on me because I was at a young age and the writers around here and throughout the league starting comparing me to Cobb. It put a lot of pressure on me.
I have things in my head that are not like what anyone has taught me - shapes and ideas so near to me - so natural to my way of being and thinking that it hasn't occurred to me to put them down.
Supposing Catherine Lim was writing about me and not the prime minister... She would not dare, right? Because my posture, my response has been such that nobody doubts that if you take me on, I will put on knuckle-dusters and catch you in a cul de sac... Anybody who decides to take me on needs to put on knuckle dusters. If you think you can hurt me more than I can hurt you, try. There is no other way you can govern a Chinese society.
I said to myself, I have things in my head that are not like what anyone has taught me - shapes and ideas so near to me - so natural to my way of being and thinking that it hasn't occurred to me to put them down.
There is a lot of pressure put on me, but I don't put a lot of pressure on myself. I feel if I play my game, it will take care of itself.
When I taught at the University of Houston in the Creative Writing program we required the poets to take workshops in fiction writing and we required the fiction writers to take workshops in poetry. And the reason for that is because the fiction writers seemed to need to learn how to pay greater attention to language itself, to the way that language works.
The hardest part about writing fiction is finding long stretches of time to do it: for me, this means writing mostly on Saturdays and Sundays. But I am always thinking about my characters, jotting down ideas in stolen moments and hoping I'll be able to make sense of them when the weekend rolls around.
I feel like people put pressure on me, and that makes me put pressure on myself, which isn't needed.
We're completely confused about the boundaries between fiction and non-fiction. To me, the moment you compose, you're fictionalising; the moment you remember, you're dreaming. It's ludicrous that we have to pretend that non-fiction has to be real in some absolute sense.
In general, I feel, or I have come to feel, that the richest writing comes not from the people who dedicate themselves to writing alone. I know this is contradicted again and again but I continue to feel it. They don't, of course, write as much, or as fast, but I think it is riper and more satisfying when it does come. One of the difficulties of writing or doing any kind of creative work in America seems to me to be that we put such stress on production and material results. We put a time pressure and a mass pressure on creative work which are meaningless and infantile in that field.
I think people take me as seriously as I want them to. They take me as seriously as I take myself - let's put it that way.
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