A Quote by Philip Glass

I've been called a minimalist composer for more than 30 years, and while I've never really agreed with the description, I've gotten used to it. — © Philip Glass
I've been called a minimalist composer for more than 30 years, and while I've never really agreed with the description, I've gotten used to it.
In general I don't like definitions, but 'Minimalist' is a term that means elegance and openness, so I would prefer to be called a Minimalist than something else.
I never looked at my parents' marriage or really anyone who had been married more than 30 years and thought, 'I gotta get me some of that!'
Old Rose: It's been 84 years, and I can still smell the fresh paint. The china had never been used. The sheets had never been slept in. Titanic was called the Ship of Dreams, and it was. It really was.
We've made some heroic efforts, but the Earth as a whole is in worse shape today than 30 years ago, ... There's been 30 more years of greenhouses gases, species extinctions and population growth.
I used to be married to a pastor, and I had a church for two years. Pastors are just men, too, with a different job description than others. We're all called to bear one another's burdens. We're all called to pray for the sick. They do it on a larger scale, but they're just a man. A lot of women don't think that. Trust me. I know.
I was on Stargate: Atlantis for four years, playing a similar character called Ronon, who was an alien that didn't say much and grunted. I've been there and done that. Whether people have seen it or not, you want to stretch. And then, while I waited, I got The Red Road, and I'd never gotten anything like that.
I have been a baker for more than 30 years now, and in terms of equipment, all I really need is flour. It still amazes me what a versatile commodity it is, as you can do so many different things with it, and I never tire of trying new blends and recipes.
So many of my friends are older, and the people I work with are older. I guess I've gotten used to hearing people say, "Oh, you're so young," even though I never really agreed with that. Now I get their perspective.
I never feel that my music is sparse or minimalist; the way fat people never really think they're fat. I certainly don't consider myself minimalist at all
I never feel that my music is sparse or minimalist; the way fat people never really think they're fat. I certainly don't consider myself minimalist at all.
I never really felt apprehensive because of my voice because after a while I'd gotten used to it, so I figured it would only be a matter of time before everybody else got used to it.
It's really been enlightening for me to work with composers because I used to think that everything in the music was exactly what the composer meant. Well, it's what the composer meant in that moment when they wrote it.
The musical emotion springs precisely from the fact that at each moment the composer withholds or adds more or less than the listener anticipates on the basis of a pattern that he thinks he can guess, but that he is incapable of wholly divining. If the composer withholds more than we anticipate, we experience a delicious falling sensation; we feel we have been torn from a stable point on the musical ladder and thrust into the void. When the composer withholds less, the opposite occurs: he forces us to perform gymnastic exercises more skillful than our own.
In India, I have been called a 'destroyer.' But that is only because they mixed my identity as a performer and as a composer. As a composer I have tried everything, even electronic music and avant-garde. But as a performer I am, believe me, getting more classical and more orthodox, jealously protecting the heritage that I have learned.
I'll never be a minimalist. The fact that the prose is more tightly controlled doesn't for a minute mean that it's minimalist. I very much like arcane words and baroque sentence structure.
After 30 years of television, I want to play more than I used to.
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