A Quote by Philip James Bailey
Sorrow is a stone that crushes a single bearer to the ground, while two are able to carry it with ease.
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In the morning, we carry the world like Atlas; at noon, we stoop and bend beneath it; and at night, it crushes us flat to the ground.
I cannot find a faithful message-bearer," he wrote to his friend, the scholar Atticus. "How few are they who are able to carry a rather weighty letter without lightening it by reading.
People talk of sorrow as if it is soft, a thing of water and tears. But true sorrow is not soft. True sorrow is a thing of fire, and rock. It burns your heart, crushes your soul under the weight of mountains. It destroys, and even if you keep breathing, keep going, you die.
Once I had the voice, I knew I wasn't going to fall off the bicycle. I tap right back into it. It really was like learning how to ride a bike - you never forget, and I was able to carry it along with some ease. I never encountered any stumping problems that left me not knowing what to do, so I was mostly able to hold my ground. Of course, I should mention that it took me a long time to actually acquire the voice; there were a lot of frustrated attempts along the way, revisions to long sections and versions of the book that I abandoned.
I wouldn't do a film like 'The Dirty Picture.' I have a husband and kids, and I won't be able to do justice to such a role. You need a certain mentality and ease to carry such a character.
I think it's better if blokes can admit that they can have crushes on other blokes. I've probably had crushes but never really sexual crushes on men.
Christians rejoice even while they truly sorrow - because their rejoicing is in the hope of heaven... While joy overcomes sorrow, it does not put an end to it.
Surely it is not true blessedness to be free of sorrow while there is sorrow and sin in the world. Sorrow is a part of love and love does not seek to throw it off.
In the language of poetry, where every word is weighed, nothing is usual or normal. Not a single stone and not a single cloud above it. Not a single day and not a single night after it. And above all, not a single existence, not anyone's existence in this world.
Writing a film is like building a brick wall. You have a plan, and you have the blocks. Then, somebody says, 'I think we'll take this stone out of here and put it over there. And while we're at it, let's make this stone red and that stone green.'
The fact is, when men carry the same ideals in their hearts, nothing can isolate them - neither prison walls nor the sod of cemeteries. For a single memory, a single spirit, a single idea, a single conscience, a single dignity will sustain them all.
A familiar name on its own, however, does not carry its bearer far unless the talent is there, and the will to work.
However, while being able to think about two things at the same time is a terribly convenient, the training it takes to get there is frustrating at best, and at other times rather disturbing. I remember one time I looked for the stone for almost an hour before I consented to ask the other half of me where I'd hidden it, only to find I hadn't hidden the stone at all. I had merely been waiting to see how long I would look before giving up. Have you ever been annoyed and amused with yourself at the same time? It's an interesting feeling, to say the very least.
I wanted to dissolve into the floor, mixing myself with the hard stone. A stone had a single purpose: to be. No complicated promises, no worries and no feelings.
In the desert, the two primary elements are stone and water. Stone comes in abundance, exposed by weathering and a lack of vegetation. It is a canvas. Water crosses this stone with such rarity and ferocity that it tells all of its secrets in the shapes left behind.
The trouble is, you cannot grow just one zucchini. Minutes after you plant a single seed, hundreds of zucchini will barge out of the ground and sprawl around the garden, menacing the other vegetables. At night, you will be able to hear the ground quake as more and more zucchinis erupt.
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