A Quote by Philip Larkin
I think we got much better poetry when it was all regarded as sinful or subversive, and you had to hide it under the cushion when somebody came in.
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We know somebody's got to win, somebody's got to lose, but aside from that, there's a lot of latitude and spontaneity and free-wheeling that I think would make it a much better product. I'm not knocking the product on RAW or Smackdown or NXT; these guys are good, but they're following a television format.
I think I was very lucky that I didn't get well-known until my early thirties. If it had happened when I was younger, you might have seen me falling out of nightclubs. I think I conducted myself as a much better human being because I was already married when all that came along (I got married five months after I got the role as Will).
I think I was given a gift to wrestle. And I think when I came back, I had a much better appreciation of that. And I believe the way I went about doing it made me better at it. I didn't identify myself with the job as I did so much in the '90s. In the '90s, I didn't know who I was other than 'the wrestler.'
Sometimes we do get taken by surprise. For example, when the Internet came along, we had it as a fifth or sixth priority. It wasn't like somebody told me about it and I said, "I don't know how to spell that." I said, "Yeah, I've got that on my list, so I'm okay." But there came a point when we realized it was happening faster and was a much deeper phenomenon than had been recognized in our strategy.
Shakespeare wrote better poetry for not knowing too much; Milton, I think, knew too much finally for the good of his poetry.
I think that we're all mentally ill. Those of us outside the asylums only hide it a little better - and maybe not all that much better after all.
You got to hidey-hide, you got to jump and run again. You got to hide-hidey-hide, the old man is down the road.
There is still such a thing as subversive. Subversive makes hip people nervous. It's something new that scares you in a good way. I mean, subversive to me is a compliment. Subversive is something that influences people to do something against society that they haven't thought of before.
Nobody can ever make enough money for as many poor relatives as I've got. Somebody's got a sick kid, or somebody needs an operation, somebody ain't got this, somebody ain't got that. Or to give the kids all a car when they graduate.
I think women's wrestling has had a hard time because of GLOW. When GLOW came out, it looked like somebody was ripping off the male industry. Everybody made fun of it. WOW is a great product. It's produced right. It's got a little story line, and it's got good-looking girls who can work and can talk.
If an evil spirit had to hide from God, it would hide in a diamond. If an angel had to hide from the Devil, it would hide in rose quartz.
If I could, I'd change the way I came up through the football ranks. I'd love to have had an academy life the way the boys have it. I think female footballers would be so much better for having that opportunity, and we'd be more effective because we would be better players.
It was all for the eventual payoff and thank-you by giving Hillary Clinton the Democrat Party presidential nomination. And it went awry in 2008 because somebody they liked better came along. Somebody they really liked better. I mean, somebody they loved better. They threw her overboard like an unwanted sack of potatoes down on the farm for Barack Hussein Obama. And she seethed, felt betrayed. Don't blame her a bit. They betrayed her big time.
Poetry can explain individuals to ourselves, and change our attitudes, and help us see the complexity of the world, but the kind of poetry I follow isn't going to change public opinion directly. Other art forms can - if you're a TV writer, you have some interesting challenges, or if you're a country musician, somebody like Brad Paisley. But poetry not so much.
Well, obviously I'm not Mark Wahlberg - I have much better abs and I look much better in a pair of Calvin Kleins but when I saw Mark Wahlberg interacting with the world, I realised that his stardom was sort of a result of the movies he had done and the publicity that he had got and the work that he did.
There's a sameness about American poetry that I don't
think represents the whole people. It represents a poetry
of the moment, a poetry of evasion, and I have problems
with this. I believe poetry has always been political, long
before poets had to deal with the page and white
space . . . it's natural.
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