A Quote by Philip Roth
I was gushing and I knew it. I surprised myself with my eagerness to please, felt myself saying too much, explaining too much, overinvolved and overexcited in the way you are when you're a kid and you think you've found a soul mate in the new boy down the street and you feel yourself drawn by the force of the courtship and so act as you don't normally do and a lot more openly than you may even want to.
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I worked through cancer twice. I probably worked through it too much the last time. This time, I found myself saying, 'Well, I don't feel well. I think I'll take the day off.' I think I did that even a little bit more than I needed to.
I've quit writing screenplay [adaptations]. It's too much work. I don't look at writing a novel as work, because I only have to please myself. I have a good time sitting here by myself, thinking up situations and characters, getting them to talk - it's so satisfying. But screenwriting's different. You might think you're writing for yourself, but there are too many other people to please.
The age of the earth was thus increased from a mere score of millions [of years] to a thousand millions and more, and the geologist who had before been bankrupt in time now found himself suddenly transformed into a capitalist with more millions in the bank than he knew how to dispose of ... More cautious people, like myself, too cautious, perhaps, are anxious first of all to make sure that the new [radioactive] clock is not as much too fast as Lord Kelvin's was too slow.
I've got the kid. I feel a little more relief that I don't have to just think about myself too much.
Mother love has been much maligned. An over mothered boy may go through life expecting each new woman to love him the way his mother did. Her love may make any other love seem inadequate. But an unloved boy would be even more likely to idealize love. I don't think it's possible for a mother or father to love a child too much.
I felt that I committed myself too much. I promised too much. But that way it's exciting.
I have to go through that arc with Dolores, and I didn't know what my arc was going to be. We found out episode by episode, and the more it went on, the more I felt a change in myself and allowed myself to be strong and to get angry and to access emotions that I don't normally, and I think a lot of women don't because we're kind of conditioned not to. It's freed me in a way, and it made me find a strength in myself.
I remember my mother saying to me on one occasion, 'Mel, I know that I can count on you.' I resolved that she would always be able to count on me. I would not let her down. I loved her too much. Her confidence in me meant everything. Today I still feel that way. I feel that way about the Brethren. I don't ever want to let President Hinckley or any of the other leaders of the Church down. But, even more important, I never want to let the Savior down, because I love Him more than anything else.
I'd have to say I enjoy myself a lot more, really. I don't feel so much responsibility as I did in other teams. It felt sometimes at Ajax and Liverpool that it had to be me. Now, every time I go out on to the pitch, I enjoy myself and laugh. I have gone through too many difficult times in my career and I don't want to keep thinking about them.
This may sound crazy, but to love someone so much that their happiness comes before yours; to find someone who wants to be with you as much as you want to be with them is a wonderfully amazing thing. The catch? It's a two-way street, a balancing act. Both must feel the same way or it falls apart. Once found, however, well, my friend, I believe you just found Heaven on Earth.
Okay, if this is what falling in love feels like, someone please kill me now. (Not literally, overzealous readers.) But it was all too much - too much emotion, too much happiness, too much longing, perhaps too much ice cream.
I didn't like the way I looked, the way I dressed and moved, what I achieved and what I felt I was worth. But there was so much energy in me, such belief that one day I'd be handsome and clever and superior and admired, such anticipation when I met new people and new situations. Is that what makes me sad? The eagerness and belief that filled me then and exacted a pledge from life that life could never fulfill? Sometimes I see the same eagerness and belief in the faces of children and teenagers and the sight brings back the same sadness I feel in remembering myself.
I don't know if it's that my own childhood felt brief, or I grew up too fast, or I was pushing myself too much at a young age, but I do feel like I am clinging to a certain childlike quality in myself, as a result of a childhood that was sometimes complicated.
I'm definitely using different parts of myself, but I think when it comes down to words and melodies, I can't really force anything too much.
I say too much of what, he says too much of everything, too much stuff, too many places, too much information, too many people, too much of things for there to be too much of, there is too much to know and I don't know where to begin but I want to try.
I found a new life in painting, maybe because I think I've found myself. I'm so much more comfortable with myself now that, with every decision I make, I can go all out.
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