A Quote by Philip Schultz
My first sense of myself was as an artist, a painter. I would see a Van Gogh painting and just love it, the more emotional and passionate the more it attracted me.
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I want to be remembered. I want to have a legacy. Van Gogh only sold one painting before he died, which would mean that he wasn't famous when he was alive. But in 2017, I know who Van Gogh is.
I was at an art museum with my parents, and was quite taken with a [Vincent] Van Gogh painting. I stood admiring the painting for some time, and then realized that in addition to feeling moved by the beauty of the painting, I felt a little jealous of the painter.
Van Gogh would’ve sold more than one painting if he’d put tigers in them.
When van Gogh paints sunflowers, he reveals, or achieves, the vivid relation between himself, as man, and the sunflower, as sunflower, at that quick moment of time. His painting does not represent the sunflower itself. We shall never know what the sunflower itself is. And the camera will visualize the sunflower far more perfectly than van Gogh can.
I had a Vincent van Gogh, a small Provençal landscape. We sold it. If you're going to have a van Gogh it should be a really good van Gogh.
And then I went round the corner and there's a Van Gogh portrait, and you just think, well, this is another level. A higher level, actually. I love the Sargent, but it's not the level of Van Gogh.
Art has become more than painting, sculpture or music: art is more than Van Gogh painting a landscape or Wagner composing an opera. The whole of reality itself has become the object of art.
I knew that I had to find out more about van Gogh. Even though I was far too young, and felt I did not have sufficient technique to write a book about Vincent van Gogh, I knew I had to try. If I didn't I would never write anything else.
It is not a certain conformity of manners that the painting of Van Gogh attacks, but rather the conformity of institutions themselves. And even external nature, with her climates, her tides, and her equinoctial storms, cannot, after Van Gogh's stay upon earth, maintain the same gravitation.
I'm a painter, that's where I started out, at four years old, that was my first love as far as expression. So, I'm not a painter in the sense of, "Please come see my paintings" but, I do understand the value of not looking over the artist's shoulder while the work is in progress.
I had a desperate need to be Van Gogh or something. Some tremendous artist. Jack's so successful, what's wrong with me, why isn't this working for me? I hated myself.
Someone who copies a Van Gogh does not therefore become Van Gogh, and the same would go for Mozart or anyone else who contributed something that was original. Certainly in the way that I described visualizing numbers in abstract, meaningful shapes.
Even if you can't afford to buy a painting, you can experience it. You can go see the Mona Lisa and be transported. You can see the discipline and suffering in a van Gogh.
What makes people the world over stand in line for Van Gogh is not that they will see beautiful pictures but that in an indefinable way they will come away feeling better human beings. And that is exactly what Van Gogh hoped for.
Some people are drawn to a van Gogh or a Rembrandt. Some are attracted to exotic guns. Coins. Stamps. I am attracted to cars.
I want and need the artist to take me to new places, and the new place that Van Gogh took me not the sky as it is but the sky as he felt it. And the more of us that feel the universe, the better off we will be in this world.
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