A Quote by Phillipa Soo
I've been very lucky. I made a choice, getting out of school, to follow the work and the people that really struck my heartstrings; 'Natasha, Pierre & the Great Comet of 1812' was one of those - maybe it was an accident.
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Right out of school, I did this show called 'Natasha, Pierre & the Great Comet of 1812.' It is based on a classical text with new music - not necessarily confined by a certain genre. It was a diverse, interesting group of musicians, actors, nonactors, and singers all creating this thing that is bigger than all of us.
Going pro out of high school maybe won't work for everybody, but I know that wherever my career goes I'm happy with the choice I made.
I was pretty lucky, I went to a really great school. I went to a Steiner School, which is very small and nurturing and creative, so I felt like I was in an environment where I could mature. There was less of the clique-y stuff, which can really make high school a living hell for a lot of people, going on, so I was very similar then to who I am now. I'm still a dork.
I try to stay focused on the work and recognize that I've been very lucky. Maybe it's 'cause I grew up with actors, but I've seen that recognition comes and goes, so all there really is is your family and friends. You have to maintain those constants in your life. Maintain what's beyond your work.
Improv definitely made me a better auditioner, without a doubt. We did do an audition semester in grad school, and that was helpful for those times that you have a script and you have a few days to prepare it, to really work on sides. But the auditions I was doing in New York, if you got it the night before, you were very lucky.
Georges St-Pierre - he's so awesome. It was very great getting to roll around with him and getting to train with him. He's so nice and so friendly, and he's very humble, too.
There's a paraphrase about Orson Welles saying: "Great films are made by great directors and the rest are made by everyone else." I've been very lucky... before I start insulting the profession of directing, but I think a good director is everything and a bad director really is nothing at all.
I started out old, but I have to say that I've been very lucky to work consistently since I started. I've really never been out of work.
I was really lucky. I had a really great opportunity. I went to an all girls, very small private school from seventh grade all the way to graduating. It was so wonderful because the focus was school at school...and during the week I could be that nerdy bookworm of a girl, and do six hours of homework at night.
Pedro's Almodovar different - very unique, very particular and difficult to compare to anyone else. But I've been lucky with many of the people that I've worked with. I think I've been very lucky with great opportunities - directors like Stephen Frears, Cameron Crowe and Fernando Trueba, as well as Bigas Luna, who gave me my first opportunity. There are a lot of people I would love to work with again. But, of course, I have a special relationship with Pedro and I don't think it's good to hide that.
It's been great. I've been very lucky to work with more experienced actors early on in my career because I get a chance to learn from them. There is so much you can learn from them. You can just follow them and you'll be pretty safe.
I wanted to be a playwright in college. That's what I was interested in and that's what I was moving toward, and then I had the lucky accident of falling in love with film. I was 19 or 20 that I realized films are made by people. Shooting digitally became cheaper and better. You couldn't make something that looked like a Hollywood film, but you could make something through which you could work out ideas. I was acting, but I was also conceiving the plots and operating the camera when I wasn't onscreen. I got very unvain about film acting, and it became a sort of graduate school for me.
There are the people who really, really enjoy being celebrities, and then there are the people who came by it maybe by accident. I'm one of those people who fiercely guards their privacy, so I hate doing interviews.
I've gotten to work with some great people. I've been really lucky.
I've been really lucky. I didn't have any morning sickness and I've been off work for most of my pregnancy, so I've been able to do things like work out with a trainer and do prenatal yoga and all these things that have kept my body very agile and pain-free.
Are those 'terrible' machines really putting those people out of work? Or are they getting rid of a really dull job that we shouldn't be torturing people with?
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