A Quote by Phillipa Soo

'Hamilton' is, of course, closely tied to the Obamas because Lin first performed the opening number at a White House poetry jam. — © Phillipa Soo
'Hamilton' is, of course, closely tied to the Obamas because Lin first performed the opening number at a White House poetry jam.
I didn't know anything about Eliza when I first got the call about 'Hamilton.' Tommy Kail, the director, asked me if I wanted to be a part of it. I knew what he was talking about because I'd seen the video of Lin performing it at the White House for Barack and Michelle Obama.
I think with 'Hamilton,' Lin-Manuel has really blown up the whole casting idea. It's miraculous. You look at '1776,' it's a bunch of old white guys and old white chicks. You look at 'Hamilton,' and it's just the faces of America.
Imagine if Lin-Manuel Miranda had tried to do 'Hamilton' first in Hollywood. They would have told him, 'The forefathers weren't Latino or black. They didn't speak in hip hop.' That would never had gotten going in Hollywood ever. But theater let Lin-Manuel him do it, and he created an incredible masterpiece.
The Obamas have changed the culture of the White House.
When I was asked to do a song from 'In the Heights' at the White House in 2009, I chose instead to do 'Alexander Hamilton' because I felt like I was meeting a moment.
People still assume the White House Correspondents' Association works for the White House, when in reality, it's a group of journalists who cover the White House. It's a branding thing, but because it has the 'White House' before it, people think they're just King Joffrey's goons.
I was given a White House - well, you will have to ask the White House that. But I asked to attend the White House briefing because I was, you know, because I wanted to report on the activities there.
I vividly remember my first day on the White House staff. My office, of course, was in the Old Executive Office Building. I didn't rate one in the West Wing; but don't try to tell me or any of the rest of us working there that we weren't working in the White House.
The first census in 1790 asked just six questions: the name of the head of the household, the number of free white males older than 16, the number of free white males younger than 16, the number of free white females, the number of other free persons, and the number of slaves.
My first jam was at Hotel Diplomat opening for Hollywood.
I've been telling people that 'Hamilton' is very much a glimpse of what it's like to be inside Lin's brain.
I'd worked at the White House for two years, and I'd read a bunch of White House memoirs because everybody who works at the White House, even for five minutes, writes a memoir usually not less than 600 pages long - and never without the word 'power' in the title.
The Obamas, especially Michelle, have radiated the sense that Americans do not appreciate what they sacrifice by living in a gilded cage. They've forgotten Rule No. 1 of politics: No one sheds tears for anyone lucky enough to live at the White House.
I tend to like the way poets form communities. Writing can be lonely after all. Modern life can be lonely. Poets do seem to be more social than fiction writers. This could be because of poetry's roots in the oral tradition - poetry is read aloud and even performed. I'm just speculating, of course. At any rate, because poets form these groups, they learn from one another. That is one of the best things about being a poet.
Brown for first course, white for pudding. Brown's savoury, white's the treat. Of course I'm the one who's laughing because I actually love brown toast.
I've met presidents, but I've never performed for one. I said it was the first time in 50 years I actually had butterflies. You know, the Obamas were sitting out there, the Supreme Court, Maya Angelou, and Desmond Tutu for God's sake, all in the front row.
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