A Quote by Finn Wittrock
A lot of the stuff that's happening now, I can trace back to 'Death of a Salesman.' Francine Maisler, the casting director, saw 'Death of a Salesman' and called me in for 'Unbroken.' The casting director of 'Normal Heart' had seen 'Salesman' too. I look back on it now, and it's like one thing led to another; it was a chain reaction.
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Because you’re such a good salesman, and if you go work for a company, they’re going to use you as a salesman. If you’re going to be a salesman, you might as well be selling something worthwhile, like education
I had an acting teacher tell me once that if you're playing a car salesman, you don't want to be an OK car salesman, you want to play the best car salesman.
The first time I met Garry Shandling was my audition for 'The Larry Sanders Show,' with Garry and his casting director Francine Maisler. I can recall every minute of it. He was gracious and kind, and he read with me. He was terrific.
Willie was a salesman. And for a salesman, there is no rock bottom to life?. He's a man way out there in the blue, riding on a smile and a shoeshine. And when they start not smiling back - that's an earthquake.
Acting in itself is changing. This change is because of the advent of the casting director. Earlier, there would be stock characters, who would be seen in every film. Now, casting directors are bringing fresh faces.
Allison Jones, a big casting director out there, was like, 'They're casting 'The Daily Show' right now - you should submit a tape.' I remember leaving school to go shoot an audition.
[My father] was very impressed when he saw "Death of a Salesman," I must say. He recognized himself to some extent.
I was 20 years old. I had moved to Los Angeles from Columbus, Ohio. I was working as a piano salesman - a terrible piano salesman. I couldn't sell them. I could demonstrate them, but people wouldn't buy them from me.
I was in a TV show called 'Lucky' on FX. The casting director from 'Lucky' was casting 'Dragon Wars'. She called me in to meet with the producer and audition, and I got it from there.
A good director creates a playground for actors, and lets them go. The trick for a good director is in casting properly, and creating the playroom, and then they'll get stuff that they don't expect, and can't even direct. All the audience wants to believe is that whatever is happening, it is happening for the first time. They want to see the people within the work exchanging dialogue and action in that moment. There are not a lot of actors that can do that.
Where having been an actor was extremely helpful to me was in casting. That's where I think a director who has acted can really shine, and casting is the most important thing you do.
I really enjoy theater. I just went to see 'Death of a Salesman,' and it knocked me on my ass.
I'm not very funny in real life. I used to want to be a comedian when I was 13, 14, 15, till I saw "Death Of A Salesman" with Lee J. Cobb and Mildred Dunnock.
I saw Lee J. Cobb in 'Death of a Salesman' when I was about 15, and I couldn't get up from my seat in the theater; I was so... I was weeping, and I was upset. And I find that people are still like that in a similar circumstance in a theater today, where they just can't get up. It's too heartbreaking.
Death Of A Salesman is a great acting job.
'Death Of A Salesman' is a great acting job.
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