A Quote by Violet Chachki
In the drag community it's mostly women in the audience, even for burlesque. I think people look at strippping as a male gaze thing and I think the actual neo-classical burlesque community is more about women supporting women and their creativity, along with freedom of expression.
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More education for women. More jobs for women. More equal opportunities for women. More women to be taken seriously. And I think more than anything we wish to be heard and not to be shut down. I think this is a good thing to think about for any community; what is important is that our voices be heard and not swallowed in an abyss of history.
I know my comfort zone and I know what my strong points are and my first love was always music. I'm a huge cinema fan. I was taking my time; I got offered a lot of scripts and things along the way but until Burlesque showed up at my doorstep, it really spoke to me. I have a collection of burlesque books at home that I've had for years. I've always been intrigued and fascinated with the topic, the beauty and the art of it and the comedic value of it. I think it's just a beautiful, empowering thing for women.
When we think about Islamic feminism, it is not just about women's rights. It's about a more progressive and tolerant expression of Islam in the world for all people. Women's rights is one aspect of it, it's not the end-all, but I also think that the women's issue is the strongest entry point that we've got to challenging extremism. You raise a woman's issue and you get the backs of the conservatives up against the wall faster than just about any other issue in our community. It's the fastest path that we've got to making change happen.
I love to work on a set whether it's mostly men or mostly women, but there's something about being in a community of women that changes the energy.
Classic burlesque in the style of Gypsy which many modern burlesque troupes practice is, at its core, so playful and teasing and innocent. It's not hardcore stripping so much as letting your body tell a story; the women are playing characters and unfolding a complete narrative onstage, with beginning, middle, and end.
I think there's more support today. I think there's better understanding today. And there's a better appreciation for the fact that if any community is going to prosper, if any community is going to be seen at its best, that the women in that community have to be viewed as equally as important as the men. And [women] have to be able to live outside of boundaries that are placed on them because of their gender. As well as their race or their religion.
When I look at the women, it's from a male gaze of being fascinated, because beyond my mother, I've been around notorious women all of my life, and then, secondly, when I look at women and try and create fictional stories around them.
I think more girls feel encouraged when women from their community do well. Especially in a place like Haryana, where people presume that women are looked down upon.
I've noticed a lot of people talking about the wealth of roles for powerful women in television lately. And when I look around the room at the women here and I think about the performances that I've watched this year, what I see actually are women who are sometimes powerful and sometimes not. Sometimes sexy and sometimes not. Sometimes honourable and sometimes not. And what I think is new is the wealth of roles for actual women in television and in film. That's what I think is revolutionary and evolutionary and it's what turning me on.
We love trans women; all of us know that drag wouldn't be an art form without trans women. I know that, RuPaul knows that, everybody in the gay community knows that. Trans women have always been a part of and the face of drag. And I can guarantee trans women will always be a part of 'RuPaul's Drag Race.'
Actually, even our virility depends on the gaze and the control of women. Without women, we cannot do anything. I think it's a good thing.
Women spend 30 percent more time doing household chores. No surprise. But women also spend more time volunteering in their community. And if you add up all of the hours of non-leisure time, women are working more than men. So I thought that was very interesting, and I was surprised about the voluntarism piece, but when you think about it, it makes sense.
Even if I wouldn't wear something myself, I think I know how women feel, how women want to look. I can really relate to women, I get on very well with women... Some women don't. I want to empower women, make women feel the best version of themselves.
Women of color have always been kind of boxed in by the idea that the more you talk about the misogyny of your own community, the more you make that community look bad.
I'm perfectly happy when I look out at an audience and it's all women. I always think it's kind of odd, but then, more women than men, I think, read and write poetry.
I think women in Iran are very resilient and I am very proud of all the Iranian women that are standing up for their rights and speaking out, and I hope that they will succeed and I am glad the international community is paying attention and supporting them as well.
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