A Quote by Fiona Barton

Garrison Keillor's 'Lake Wobegon' books create a world I can immerse myself in over and over. I love the deadpan humour, the warmth, and the wonderful characters in The Sidetrack Tap. I discovered them when I was about 30, starting with 'Leaving Home' and 'We Are Still Married,' and fell in love with the place and those flat Midwestern vowels.
I love books that rhyme. And I love books that are clever and have little lines in them that are meant to amuse the parents who will no doubt be reading the book over and over and over again.
Some of you young folks been saying to me, "Hey Pops, what you mean 'What a wonderful world'? How about all them wars all over the place? You call them wonderful? And how about hunger and pollution? That aint so wonderful either." Well how about listening to old Pops for a minute. Seems to me, it aint the world that's so bad but what we're doin' to it. And all I'm saying is, see, what a wonderful world it would be if only we'd give it a chance. Love baby, love. That's the secret, yeah. If lots more of us loved each other, we'd solve lots more problems. And then this world would be a gasser.
In his 30 years of broadcasting and publishing fiction, Garrison Keillor has set the laugh bar pretty high.
When I fell in love with wrestling, I fell in love with the characters and the over-the-top kind of personalities and the wrestling aspect of it.
The future is a fog that is still hanging out over the sea, a boat that floats home or does not. The trade winds blow me, and I do not know where the land is; the waves fold over each other; they are in love with themselves; sleeping in their own skin; and I float over them and I do not know about tomorrow.
In the Lonely Hour is about a guy that I fell in love with last year, and he didn't love me back. I think I'm over it now, but I was in a very dark place. I kept feeling lonely in the fact that I hadn't felt love before.
I love fantasy. I love thrillers. I love action. I'm all over the place. As long as the story and characters are good, I'll love it.
I grew up in the Midwest and never really felt at home there, and when I got to New York, I was really fearless. I feel like I really fell in love with the the place. But then, it's a place where your world is really big at first and then becomes really small. I found myself hardly leaving my neighborhood, like I made it into a small town.
All human beings were of course unique, and they only discovered that when someone else fell in love with them or when no one ever fell in love with them.
I saw A Little Romance [and] I was so in love with Laurence Olivier. I watched that movie over and over and just fell in love with love.
I traveled the world ten times over doing something I never thought I'd do in a million years. I found myself in Tokyo, Japan. I (was in) a Dell Computer commercial, the first thing I had ever done, and I fell in love with it. I fell in love with the green screens, I fell in love with (everything). The translator was explaining everything to me. It was a passion like I had never felt before. I came back and it took me five years to really accept that that was okay.
I woke in bits, like all children, piecemeal over the years. I discovered myself and the world, and forgot them, and discovered them again.
When Pico [Iyer] talks about home being a place of isolation, I think he's right. But it's the paradox. I think that's why I so love Great Salt Lake. Every day when I look out at that lake, I think, "Ah, paradox" - a body of water than no one can drink. It's the liquid lie of the desert. But I think we have those paradoxes within us and certainly the whole idea of home is windswept with paradox.
The truth was I knew, after all those flat January days, that I deserved better. I deserved I love yous and kiwi fruits and warriors coming to my door, besotted with love. I deserved pictures of my face in a thousand expressions, and the warmth of a baby's kick beneath my hand. I deserved to grow, and to change, to become all the girls I could be over the course of my life, each one better than the last.
I haven't got anything against films that are about the minutia of relationships or customs, but I love extremes. I love taking a bunch of characters and it usually is a bunch of characters, and you throw something at them that's usually extreme, like a bag of money, or you send them out to explode a nuclear device on the surface of the sun. And those extremes are wonderful for drama.
Berry Gordy turned his house into a studio and discovered over 30 acts in the city. And we're famous all over the world.
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