A Quote by Fiona Barton
Over the years, I've interviewed the victims, the guilty, the famous, the important, and the ordinary people affected by tragedy or good fortune. But strangely, it is not always the people in the spotlight that have stayed with me. It is often those on the periphery, the bit players in the drama, that continue to haunt.
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I think people don't really understand how much footballers are affected by the people in their lives. When we're interviewed, people always ask about managers and tactics and training, but they almost never ask about what's going on off the pitch, and to me, that's just as important to your career.
The difference between ordinary and extra-ordinary is so often just simply that little word - extra. And for me, I had always grown up with the belief that if someone succeeds it is because they are brilliant or talented or just better than me... and the more of these words I heard the smaller I always felt! But the truth is often very different... and for me to learn that ordinary me can achieve something extra-ordinary by giving that little bit extra, when everyone else gives up, meant the world to me and I really clung to it.
I always think that the people who have the hardest time in the spotlight are the people who have unearned fame, like the girlfriends of people who are famous or people who become figures of attention, not through their own merit.
I've always been interested in queerness and underground and fringe and periphery, and who and what flourishes in those spaces. Those spaces that are darker and dingier and more dangerous, more lonely. What comes out of there, to me, is the life force. I'm excited when the center reaches over to those places and pulls inspiration from them, and translates it for a lot of people.
Either over neither, both over either/or, live-and-let-live over stand-or die, high spirits over low, energy over apathy, wit over dullness, jokes over homilies, good humor over jokes, good nature over bad, feeling over sentiment, truth over poetry, consciousness over explanations, tragedy over pathos, comedy over tragedy, entertainment over art, private over public, generosity over meanness, charity over murder, love over charity, irreplaceable over interchangeable, divergence over concurrence, principle over interest, people over principle.
Famous people I've interviewed - powerful people, brilliant people, people whom you look at and think, 'Seriously, do you not have pores?' - have turned to me after interviews and asked, 'Was I okay? I hope I was okay.'
I'm interested in ordinary experience, and regardless of the precise definition of ordinary, and I've found that in so-called ordinary experience, there is as much comedy, tragedy, sadness, as there is in great drama. And I don't invent it, I recognize it.
All conflicts are different, and yet the victims are always the same. They are people, just like you and me, but whose lives are deeply affected by violence and war.
If you continue to blame other people for “making” you feel guilty, they still have power over you, and you are saying that you will only feel good when they stop doing that. You are giving them control over your life. Stop blaming other people.
People make up their mind on whether you're a good player over seven games at a World Cup. You're great if you score goals and bad if you don't. I will always believe in myself, and those who doubt me will always continue to do so.
I stayed in Milan for six years. I stayed in Madrid for four years. I played in Brazil for nine years, so I always think about the good projects.
I always have the feeling that my subjects are the same - I'm just changing my point of view. I'm going to move a little bit this time and watch it a different way. But at the end, I think I'm always fascinated by the same things, except I will express them over and over again, with different words, with different colors, with different shapes. But strangely it will always be the same topics or subjects that are so important to me.
I always tell people, good coaches are a dime a dozen. Good coaches that are good people, good husbands, good fathers, that love their players and are passionate about doing things in a way that I believe is important, that pool gets real small.
I feel humor is important for those two reasons: that it is a little bit of refreshment like music, and that women have told me over the years that it is very, very important to them.
It just feels good to know the work I did, people like it and love it - and continue to like and love it. It makes me feel real good that, after 20 years, 'Regulate' is still in heavy rotation all over the United States and all over the world.
Not being well-versed in that arena myself, it's a little bit frightening because I'm not very good in those situations with lots of people and lots of famous people and cameras and all of that. It's not my specialty.
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