A Quote by Fiona Bruce

I learnt a salutary lesson when I was being hired for the 'Six O'Clock News' and others were being fired, people who I thought were great, like Jill Dando. Letting her go was a big mistake, in my view. But that is probably going to be me one day - I'll read about it in the press and that will be that.
I learnt a whole lot from my mother. About music, relationships, being a good person, loving people, the whole of life. I learnt about everything from her. Every single day I think about her. All through the day.
For about a year, I worked for 'Daily Kos.' They were great. I mean, they allowed me to write whatever I was thinking about and feeling. 'The New York Daily News' saw it. They were making some pretty big changes. They hired a new editor in chief. I was his first hire.
I read every screenplay that was being sent to the other directors. None were being sent to me, but I was reading what others were choosing and what the best writers were writing.
I think my dad's done a great job of letting others have their turn when his term was over and not being out there grandstanding and trying to say, 'Well, this is what I think, and I need to get the news and be on the news and' - he's not like that.
Similarly, the press never tested many of the assumptions about WMDs. One of the great myths about the WMD issue is that everybody believed Iraq had them. Well, that's not true. There were a number of people in the intelligence community and the State Department who were skeptical, and many analysts in the Department of Energy were dubious about Iraq's nuclear capability. There were also people like Scott Ritter who were saying quite accurately what was going on.
Strangers with puzzled looks were amazingly cooperative in letting me into their rooms with my photographic gear. They let me take down the curtains, wash the windows, and rearrange the furniture. Often, too, they expressed their desire to share their view with others, as if it were a non-depletable treasure. I liked the idea that my photographic vantage points were not solely determined by myself. They were predetermined by others, sometimes years earlier, and patiently waited for me to discover them.
I've always thought that people who left a great deal of money in their will never enjoyed the great honor and privilege and heart-rendering feeling of giving to others during their lifetime, because they were too selfish to give to others while they were alive, so they made sure they were dead and couldn't use it anymore.
I've got bills to pay like everyone else. I'm a high-earner but I don't see myself as rich. I know in some people's eyes I probably am, but I will always have to work. My son Matt asked me if we were rich the other day and I told him that in my view, being rich is not having to get up to go to work. I can't see myself ever being in that position.
To me the sort of like, the ethos, if you will, of like tabloid is like Daily News in the 1970s. It's a news organization that thinks of its mission to speak directly to people who are kind of , the people who are sort of the foundation of the American workforce or were at one time. What I love about this conception of the tabloid is that actually everybody read it.
I think I grew up, stopped worrying about what people thought of me, and whether things were going to turn out OK. I'm concentrating on doing the best work I can do and letting it go at that.
My personal beliefs were shaped more by experience and by watching the news when I was young: images of angelic-looking college students in Mississippi crying like the world was ending because black people were being allowed on their campus; the slow mounting horror of Vietnam on the evening news every night; sitting with my parents in front of the TV and being appalled at the way the Chicago police were treating the protesters during the '68 Democratic convention. Being eyed with suspicion because of my age and the way I wore my hair.
Part of me aches at the thought of her being so close yet so untouchable, but her story and mine are different now. It wasn't easy for me to accept this simple truth, because there was a time when our stories were the same, but that was six years and two lifetimes ago.
We thought we were being mature when we were only being safe. We imagined we were being responsible but were only being cowardly. What we called realism turned out to be a way of avoiding things rather than facing them.
I read some books, and I thought, 'This is better than sliced bread!' and a month later, I couldn't remember thinking about it. And I've read others that were kind of a slog, and I've put them down and come back six months later thinking, 'Wow, this is great.' So, you know, things change all the time.
I feel like people being themselves and not being scared of judgment, they're putting that into their music, and it's like, 'Wow, they came up with something fire because they didn't care how you were going to feel about it. They didn't care if you were going to like it or not.'
He is mad about being small when you were big, but no, that's not it, he is mad about being helpless when you were powerful, but no, not that either, he is mad about being contingent when you were necessary, not quite it... he is insane because when he loved you, you didn't notice.
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