A Quote by FKA twigs

I once said to a boy, ‘You’re a really good kisser,’ and he said, ‘You’re only as good as the person you’re kissing.' I think it’s the same with the music. If someone [says], ‘Your music is really provocative,’ I’m only as provocative as the person that’s listening to it.
I once said to a boy, 'You're a really good kisser,' and he said, 'You're only as good as the person you're kissing.' I think it's the same with the music.
People think pop is rock, and the lines are getting blurred. Now Rihanna's wearing f-ckin' leather jackets, and it's really annoying . . . (My style is) high-class hooker. I dress for myself. Clearly, it's provocative, but it makes me feel good. And if the only reason it makes someone uncomfortable is because I'm 17, then that person's a scumbag because it shouldn't matter.
An old pop music producer once said that there are really only four kinds of song a person can write: "I love you/I hate you/go away/come back!" That's a funny observation.
In the '80s and '90s, I was really interested in, moved by, exhilarated by, and troubled by rap in all the ways a white person from Brookline, Massachusetts should be. That was music that was making trouble, and it was interesting and provocative trouble.
It's not success that makes a person's life worthy of legend. It's provocative defeat, someone who struggled mightily and lost. And that loss can't just be gratuitous - there has to be something about his or her character that whittles that loss into something provocative.
A person once asked me, in a provocative manner, if I approved of homosexuality. I replied with another question: 'Tell me: when God looks at a gay person, does he endorse the existence of this person with love, or reject and condemn this person?' We must always consider the person.
The only person who really impressed me with making new music is Cudi. Everyone else seems to be jumping on the same music, the producer-made stuff, but the one person that's made new music to me is Cudi.
Your father is the first person to tell me that I am lovely who seemed to mean it. The only people who've told me that before were ones who think they're supposed to flatter a princess' 'I think you're lovely,' murmured Eadric. 'Only because you love me,' I said. 'Hmm,' he said, kissing me before I could say anything else.
It's the worst when you're kissing someone who's not a good kisser, and you're trying to make it look good, but you feel like you're just working on your own.
It is frequently said that speech that is intentionally provocative and therefore invites physical retaliation can be punished or suppressed. Yet, plainly no such general proposition can be sustained. Quite the contrary.... The provocative nature of the communication does not make it any the less expression. Indeed, the whole theory of free expression contemplates that expression will in many circumstances be provocative and arouse hostility. The audience, just as the speaker, has an obligation to maintain physical restraint.
Good God," I said. "This is the most stereotypical vampire food ever." "Only if it was raw. What do you think?" "It's good," I said reluctantly. Who knew that bacon would have made all the difference? "Really good. I think you have a promising future as a housewife while Lissa works and makes millions of dollars." "Funny, that's exactly my dream.
I really don't need to suffer. I can really become a happy person and still make good music - in fact, better music.
I already have success. I had it a long time ago. It's nothing to do with my music. Music is secondary, at this point. The good stuff is really good, but I have success because I'm at peace and I'm a good person in my everyday life and that's important.
When we try to describe one person to another …, what do we say? Not usually how or what that person ate, rarely what he wore, only occasionally how he managed his job—no, what we tell is what he said and, if we are good mimics, how he said it. We apparently consider a person's spoken words the true essence of his being.
There is another peculiar satisfaction in really hearing someone: It is like listening to the music of the spheres, because beyond the immediate message of the person, no matter what that might be, there is the universal. Hidden in all of the personal communications which I really hear there seem to be orderly psychological laws, aspects of the same order we find in the universe as a whole. So there is both the satisfaction of hearing this person and also the satisfaction of feeling one's self in touch with what is universally true.
I think live music is really, really important. And I think it's very important to do together. It's much more fun to play to music together than the one person listening to their lone iPod Shuffle. I think it's an amazing way to build community and have children do things that are funded that's not a videogame.
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