A Quote by Fleur East

Traditionally with debut albums, labels insist on a face, so people know who you are. — © Fleur East
Traditionally with debut albums, labels insist on a face, so people know who you are.
I'm sad for younger bands that don't have a home that they know they can go to, like the twenty-five labels that used to be around that they know they can hang their hat and know that they'll give 'em three, four, five albums to develop.
Artists are traditionally resistant to labels.
People don't know how to reach record labels, and a lot of time labels don't listen to stuff that's sent in randomly.
I find the fact that so few people buy albums to be strangely emancipating. There's absolutely no reason for 99% of musicians making albums to think about actually selling albums. So as a musician you can just make an album for the love of making albums.
Labels are for filing. Labels are for clothing. Labels are not for people.
I mean Iggy and The Stooges first couple of albums I think sold twenty five thousand between the two of them you know and so to talk in terms of an underground I mean you have to go really to the independent labels and things like that.
Being a star son, everywhere I would go the first question that I would face was When is your debut?' I guess that's why it had to be planned well, for the curiosity that exists about your debut film is the highest and it makes for grand openings.
When I listen to a band like Pink Floyd, I don't know the names of the individual songs, I know the full albums. That's what we want for our albums.
I think that debut albums are supposed to sound sort of raw. You don't want to record 'Sgt. Pepper's' as your first album, because where do you go from there?
The barriers to careers in STEM that people of color and traditionally underrepresented groups face need to be broken down.
Some people debut and beat John Cena. Some people debut and lose to R-Truth. That happened to me by count out. So, everything is different.
It's kind of cool that we've quietly been selling a million albums. We knew the album wasn't going to debut at No. 1. I'm stoked to see us being successful again.
I started running to different albums, and I was starting with the short albums and moving on to the longer albums. I was interested in how they built up, in tempo and intensity. it made me interested in albums again, too.
There are people who are genetically made to start record labels, and I'm not one of those people. People just have it in their blood and are good at it. Corey Rusk from Touch and Go and Ian MacKaye. These are people who have made their own labels.
Everybody uses labels: they give you a handle on things - an over-simplified handle, sure, but without labels, without ads, without words, the world would be an indistinguishable mass, a blur. You can hope, maybe, that people ascribe so many labels to you that none wins out
The Internet has obviously wiped music off the human map - killed the record shop, and killed the patience of labels who consider debut sales of 300,000 to not be good enough.
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