A Quote by Francisco Goldman
I think the fact that my wife died in Mexico City makes it very important to me; my life went up in smoke at that moment, the family and the future we were going to have. At that point, I was anchored to the city in a way I've never been anchored to a place before.
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I've spent most of my life in L.A. and I'm still amazed at things that I don't know about the place. There are a lot of places I've never been to yet and I may never even make it. There's so much here and there's so much of a variety in terms of culture now. It's amazing. It's all here in one big city. In a lot of ways, the city is unique in the world because it's hard to find another city that has the diversity and range. It's a microcosmic planet, if you look at it that way. And in that sense, it's very much an experimental city.
L.A. has been really inspiring towards me for the last one and a half years. There is a lot going on here now. I've been here before, when I was younger, but I've never had this feeling about it. There are a lot of creative things bubbling in the atmosphere. It's so far away from everything else, which makes it a strange, exotic city. When you want to discover yourself, I think this is a good place to be. You don't feel like you are in a real place and I think that can be very good for making music or art.
Berlin is still a very edgy place, a very cosmopolitan place. It's a place where completely different ideas and cultures come together and clash in a very warm way. In a very warm-hearted way. It's a very young city. It's a vibrant city. It's an exciting city. It's a city that's also scarred by history. I think that's to be celebrated and graffiti is to be celebrated. Graffiti in Berlin is very different than when they spray something on the wall dividing the west bank and Israel. And should be treated as such in Berlin.
I have this great fear of Mexico City. I won't go to Mexico City unless someone meets me at the airport and is with me. I just feel very vulnerable there.
When I took the decision to join City, Pep Guardiola's call was very important. He called me, spoke to me about the project, and explained that I was going to be an important part of it. I felt very happy. The prestige of Manchester City's shirt is also very important.
Thomas More: Will, I'd trust you with my life. But not your principles. You see, we speak of being anchored to our principles. But if the weather turns nasty you up with an anchor and let it down where there's less wind, and the fishing's better. And "Look," we say, "look, I'm anchored! To my principles!
Mexico City is the center of art and culture and politics and has been and continues to be for Latin America in a way that I think really called to me as an artistic person, as someone that was interested in the politics of Latin America, you know. God, every single famous person in Latin American history and art and politics seems to have found their way to Mexico City.
I'm never going to be able to leave Mexico, really. It would be foolish of me to do it. I would be wasting such a great opportunity that the accident of life, or destiny, gave me, which is to be Mexican. If we would make 'Lord of the Rings' analogies, I think Mexico City is Middle-earth. That's where the fight of humanity is.
I want to show the event at the very moment it takes place.... My body must be anchored to the ground and seek the best point of view, without any visual taboos. But then, at the heart of the event, my effort is to disappear, I introduce a distance that borders on indifference.
In place of a world, there is a city, a point, in which the whole life of broad regions is collecting while the rest dries up. In place of a type-true people, born of and grown on the soil, there is a new sort of nomad, cohering unstably in fluid masses, the parasitical city dweller, traditionless, utterly matter-of-fact, religionless, clever, unfruitful, deeply contemptuous of the countryman and especially that highest form of countryman, the country gentleman.
If we are always arriving and departing, it is also true that we are eternally anchored. One's destination is never a place but rather a new way of looking at things.
Violence and hatefulness have never been - nor will they ever be - who we are. This is the city I was born in, the city I was raised in and the city I love. Portland is also a united city.
Right, because they're looking at also organizing the Sunni tribes up around Mosul to take back that city as well. That's the second largest city in Iraq. That's going to be a very, very tough fight. And the Shia militias were not used in Ramadi, and we're told by the Iraqi generals that they don't want any Shia militias up in Mosul, either, to take back that city. So - but again, that's going to be a very, very tough fight.
I've been in New York for 14 years. I would never leave for good. The city is so much more alive than so many other places, and I think it is fodder for performers. You see so much; research is thrown at you everywhere you go. There was a rat on the subway train recently - you saw the video online - that's fantastic! That's something that is so specific to this city, the way you are pushed up against humanity, and the animal kingdom, whether you want to be or not. It's a stimulating city - physically, intellectually, culturally. It never ceases to thrill me.
Right before my dad died he was planning to go to New York City for the video music awards that he was nominated for, the MTV music awards. You couldn't tell him he wasn't going to go. It was going to happen. But he wound up having to check into the hospital there, and not too long later he died. But his spirit never gave up - his body did.
I'm very happy at City, very happy since the day I came. I knew that the project was good, and in my head, there is nothing else but Manchester City, so how long I'm going to be at City is just never a question.
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