A Quote by Dawn French

I don't read novels whilst I'm writing one; I just haven't got a wide enough brain to concentrate on incoming and outgoing in the same time zone. — © Dawn French
I don't read novels whilst I'm writing one; I just haven't got a wide enough brain to concentrate on incoming and outgoing in the same time zone.
I've read enough novels to know just how much time & energy it takes to fall in love and I just don't have the time
My first attraction to writing novels was the plot, that almost extinct animal. Those novels I read which made me want to be a novelist were long, always plotted, novels - not just Victorian novels, but also those of my New England ancestors: Herman Melville and Nathaniel Hawthorne.
When I get a script and do my work, and then show up on set and work, it's the same zone that I'm in when I'm in front of a canvas, or when I'm writing a story about one of my paintings, or when I'm playing music. Whatever I'm doing at any given time, it's the same exact zone.
I never read detective novels. I started out in graduate school writing a more serious book. Right around that time I read 'The Day of the Jackal' and 'The Exorcist'. I hadn't read a lot of commercial fiction, and I liked them.
Read. Read. Read. Read. Read great books. Read poetry, history, biography. Read the novels that have stood the test of time. And read closely.
I think that when you're depressed, you can't concentrate long enough and well enough to read for the most part; some people can, but by and large people - that's one of the first things that goes, is the capacity to read meaningful literature. With grief, that's not true. For a while you can't read, but then you really are amenable to solace.
When I am writing novels I don't read a lot of novels so I try to catch up in-between.
If you want to be a singer, you've got to concentrate on it twenty-four hours a day. You can't be a well driller, too. You've got to concentrate on the business of entertaining and writing songs. Always think different from the next person. Don't ever do a song as you heard somebody else do it.
One of the things that novels have tended not to concentrate on over the centuries is the fact that people read books.
I won't read novels while writing novels.
On overnight flights, I have trained myself to get to sleep almost instantly after takeoff. I always listen to the same audiobook on my iPod so my brain knows, regardless of time zone, that that voice means it's time for bed.
I never got any training in how to write novels as an English major at Oberlin, but I got some great training for writing novels from anthropology and from Margaret Mead.
If you read the first page of one of my novels, I can guarantee that you will read the last one. This isn't just social commentary. This is also about writing good page-turners. I want people to keep reading.
I read all types of books. I read Christian books, I read black novels, I read religious books. I read stuff like 'Rich Dad, Poor Dad' and 'The Dictator's Handbook' and then I turned around and read science-fiction novels.
From an early age, my favorite thing to read was novels. For years, when I was writing only nonfiction, still I was reading almost exclusively novels. It's weird to be producing something that you don't consume. It feels really alienating.
The last time I was in Spain I got through six Jeffrey Archer novels. I must remember to take enough toilet paper next time.
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