A Quote by Francesca Hayward
I love all of the ballets that have a really strong story in them where I get to play a character. I don't enjoy the ones that are more technical without a story line and it's just me on stage dancing.
Related Quotes
When I'm looking for a strong female character, or a strong character at all, I'm looking for a character that has a purpose in that story, that has an interior life of some sort. They don't have to be physically strong; they don't have to be morally strong or ethically strong, because men and women come in a huge variety of all of those things. Emotionally, ethically - I'm less concerned with that. I just don't want them to be props. That's the only thing that offends me.
The inspiration really comes first from the character and the story. That vision of what the story is, and what the character is, the world that they inhabit and what the story wants to tell. That's really what inspires me.
I just really like the characte [Jasper Hale], and I love the story [Twiglight], I think it's a very strong character and I respect him. It's interesting; I respect the character that I play. I don't understand it, but I do. That's a good thing. I think so, I think so. I never felt like that before with a character.
When people stop me to say they love 'Workin' Moms,' it's not just that the show makes them laugh or is a great escape - they tell me my, or another, character's story is their story.
I really love the process, with stage, of rehearsal, you get to create a character, and you have a beginning, a middle, and an end of story. And in television, you don't.
My creative workday starts with strong breakfast tea and a few minutes of journaling, both of which help me get my head in the story. So much of story-building for me involves immersing myself in the character and situation I'll be working on, just the way an actor does when playing a role.
You see, when I go on stage I perform with just a guitar and you have to have very strong material to hold an audience from getting bored or restless. One strong way of doing that is the story because everybody will listen to a story.
I think that when I'm telling a story, I'm doing the best I can to tell the story as fully as I can, and if there are various fractures that happen in the story, then that's just the very thing that the story is as opposed to my looking for avenues of difference in one story. They just really do exist. For me, anyway.
The difference when I'm writing a story versus writing a joke is that writing a joke is so much more about the structure and it's less about the conversation. To me, the thing that I love about stand-up is the intimacy between performer and audience.To get it even more conversational was something that really appealed to me and that I really enjoyed doing. My early experiments with it, with just telling a story from my life on stage, it was so satisfying to do. And seemingly for the audience as well. It's a different thing, and it's a different feeling and a different vibe.
I don't really have a method or a technical process. I studied [Sanford] Meisner, and that's the thing that really works for me. That sort of instinctual, in the moment, what the other actors do, working off them and letting the story unfold, as opposed to having an idea of what the story should be.
I love a good cliffhanger. I love when big events happen in shows. I love shows that aren't afraid to take risks and to really do what's best for the story line and realistic for the story line.
The platform doesn't really matter to me, whether it's stage or theatre or even a web series. I just am more interested in, like, if it's a story that I would want to watch and if it's a character that I feel like I can contribute something to, then that's really what gets me.
I am waiting for the right story to tell. Just like 'Man of Tai Chi' just seemed to be the right story to tell. So I'm looking for that. Because I really love directing. I love developing the story. I love actors. I love the cinema of it, the way that you tell a story visually.
When you get to play a character that's in love, it's cool. Once you have love as a motivator in a story, your character is free to do anything.
Sometimes it's less about the character and more about the story for me. I'll play a rock in the background if I think the story is fantastic and I can be a part of it somehow. That's what I look for.
Sometimes I'll write without the guitar or the piano, but most of the time I'll be playing and just improvising some words. And when I get something that sounds good, a line with a story in it, I'll try and tease it out and figure out where the story is going.
Related Authors
A. J. Pritchard Quotes
British
Dancer
Bez Quotes
English
Dancer
Cheryl Burke Quotes
American
Dancer
Craig Revel Horwood Quotes
Australian
Dancer
Darcey Bussell Quotes
English
Dancer
Martha Graham Quotes
American
Dancer
Mary Helen Bowers Quotes
American
Dancer
Mikhail Baryshnikov Quotes
American
Dancer
Misty Copeland Quotes
American
Dancer
Rakhi Sawant Quotes
Indian
Dancer
Savion Glover Quotes
American
Dancer
Shakti Mohan Quotes
Indian
Dancer
Shirley Ballas Quotes
English
Dancer
Sylvie Guillem Quotes
French
Dancer
Twyla Tharp Quotes
American
Dancer
Valentin Chmerkovskiy Quotes
Ukrainian
Dancer