A Quote by Fred Eaglesmith

There really are two different schools of songwriting-American and Canadian. It's interesting. You guys have this history of guys like Paul Williams and Jimmy Webb, and they're different than Neil Young and Joni Mitchell and Leonard Cohen. All those weird voices come out of Canada. That's because it's so cold here we can hardly open our mouth. We get much less light in Canada. No wonder the writing's dark.
I do own CDs by Neil Young, Leonard Cohen, and Joni Mitchell, but I don't think of them as being major influences on my writing.
I've always played acoustically - it's how I learned. I grew up listening to Leonard Cohen, Joni Mitchell, Neil Young, Dylan and what have you.
I didn't grow up listening to him - my parents listened more to Neil Young and Joni Mitchell - but I lived in a flatshare for two years, and my flatmate loved Leonard Cohen. He would always play him when he got home from the studio or something.
My friends and I took songwriting very, very seriously. My hero was and still is Bob Dylan, but also people like Leonard Cohen and Joni Mitchell and that whole generation.
When I discovered Bob Dylan and Leonard Cohen, I could explore the records that inspired me on a different level and that led me to Joni Mitchell, who is maybe my favorite of all time, and Warren Zevon. Those artists that wrote the lyrics that you try for.
For someone like me, who has grown up with Joni Mitchell and Bob Dylan and Leonard Cohen, it's hard not to invest a lot of myself in what I do.
The Bachelor Canada' will be uniquely Canadian in and of itself because you're going to have a 100 percent Canadian cast, you're going to use Canada as a backdrop, you'll be going to all of those iconic places around Canada from coast-to-coast.
When you listen to early Leonard Cohen records or Joni Mitchell records, you feel like a window is being opened into someone's life.
As a kid, I was listening to Aretha Franklin, Etta James and hip-hop as well as music my parents were listening to, like Joni Mitchell and Leonard Cohen.
The '60s is such an explosive period. It was very interesting for me because I grew up in Canada, and obviously, I know some American history because I've lived here for many years, and even in Canada, that does permeate.
I say a few good things about Canada in the book, you know. Americans are weird, though. We refuse to look at other countries. Start with Canadians - I want to think you aren't that different, so why can't we do our incarceration policies more like Canada? If we still had a 1970 level of incarceration which was the same as Canada's then and now, I never would have written this.
It's a little different being the older guys on the team. We are going to help get the young guys get comfortable. We'll have to get them used to what they will face out there this season. There are some good guys out there. They know what they have to do to win.
There are two miracles in Canadian history. The first is the survival of French Canada, and the second is the survival of Canada.
Canada should always open its doors to those who are oppressed or in cases of emergency. When Canada offered refuge to 50,000 boat people in Vietnam in the 1970s, I was particularly proud to be Canadian.
If there's a pro-Canadian, or someone who's a real proud Canadian, I am. Nobody in Canada would want a united Canada more than me.
My character on 'The Crazy Ones' is entirely different than Bob Benson. If these guys ran into each other at a bar, I don't think they'd have much to talk about. They're really different guys.
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