A Quote by Fred MacMurray
I don't want the audience to tire of me too quickly. TV would be the fastest way to make them so sick of my face they'd never want to see it again.
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My main goal as an actor, with my craft or whatever poncy way you want to say it, is to always take the audience with me. To make them feel for me, or to make them hate me, I want a reaction. I want their emotions. The worst reaction someone can have is, "eh."
I try to just make what I want to make or what I would want to see. I try not to think about the audience too much.
I'm listening to the audience. Too many people in Hollywood make what they want to see and not what we want to see. I'm about us. Not about me.
I never again want to see the face of a starving child or hear the weeping of a mother who has lost her son to war. Peace, this is what my husband gave his life for, and I want the world to know that he did not die in vain. Peace, this is what will make me very happy.
I think when I start out writing, I always try to write the version of the movie that I want to go see. I don't mean it in a way that ignores the audience, but I really set out to make a movie that I want to see and that, hopefully, other people will want to go see it. So whatever's amusing to me, I guess, I throw it all in there.
Please, please. Don't cry like that. I'm going to go mad. I don't want to see you again. I need to see you again... I'm sick of it. Because as soon as we have to say goodbye... I want to die. (Ritsuka)
Any time you do anything different in this life, it's risky. But I've only done things differently, and it's gotten me quite far. If you want to make a splash, you've got to step out on that ledge and jump. And I could land flat on my face and it would be the biggest nightmare of my life. I'm willing to risk it. I want to help change the way male chefs see females. I want to show them that, yes, we're emotional and, yes, sometimes we make irrational decisions, but we're passionate about what we do, and that passion will propel us to the next level.
I learnt early on that your audience take the songs in the way they want to rather than the way you might want them too.
You hear it said time and time again by successful directors: You have to make a movie for yourself. Don't make it for anyone else. My style of filmmaking happens to be give the audience what they know they don't want, but they want. Ultimately I have to write and direct in a way that let's just say, you don't want to regret making a choice.
Well, besides being entertained, I’d like to move them emotionally. I mean I really want to uplift them. I want to look down at the audience, and this is personal experiences now I’m going to tell you. It’s like you look down at the audience and see people smiling, crying, hugging each other. I want them on their way home to feel empowered like they can do anything.
When I sing, I don't want them to see that my face is black. I don't want them to see that my face is white. I want them to see my soul. And that is colorless.
When I sing, I don't want them to see that my face is black; I don't want them to see that my face is white - I want them to see my soul. And that is colorless.
I usually grow sick of my short-story characters and think, 'I never want to see you again.'
TV is such a success nowadays because it gives back in a way that features can't. If you go to a film, you only get two hours of great storytellers and performers, and you pay top dollar for that. If you're subscribing to premium channels and you're getting all of these amazing TV shows, and you're watching them as you want, where you want, when you want, on what you want, I think that is the "the golden era of TV" in what television shows are offering to audiences. We're giving them a lot more. It's quality.
Taro came into the room, strands of hair flying free of the tie at the back of his skull, sweat plastering his cream-colored shirt against his chest and back. I wished I had an artist's skill, that I could make renderings of him in all his states of beauty. He would never want to look at them, or even know about them. I would just like them for myself. Maybe he would want to see them when he was much older, and beautiful in a different way.
Words fail me sometimes. I have read most every word in the Webster’s International Dictionary of the English Language, but I still have trouble making them come when I want them to. Right now I want a word that describes the feeling you get – a cold sick feeling deep down inside – when you know something is happening that will change you, and you don’t want it to, but you can’t stop it. And you know you will never be the same again.
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