A Quote by Frederick Buechner

Theology, like fiction, is largely autobiographical. — © Frederick Buechner
Theology, like fiction, is largely autobiographical.
All fiction is largely autobiographical and much autobiography is, of course, fiction.
I don't view my memory as accurate or static - and, in autobiographical fiction, my focus is still on creating an effect, not on documenting reality - so 'autobiographical,' to me, is closer in meaning to 'fiction' than 'autobiography.'
You can look at my autobiographical pieces as source books... But, you see, my fiction doesn't revolve around autobiographical questions.
Everything is autobiographical, and nothing is autobiographical. That's fiction.
Prose gets divided up into fiction and nonfiction and short fiction and long fiction and autobiographical nonfiction and so on. Poetry can do any of those things except with the added definition of intensified formal pressure.
Whenever I wrote fiction, people always seemed to think that what I wrote was true, that it was entirely autobiographical. And when I would write non-fiction, they often accused me of exaggeration and fictionalization.
Fiction always reveals a lot about the person who is writing it. That's the scary thing. Not in a straightforward autobiographical sense. But the flaws in a piece of fiction are, unhappily, so often also the flaws of the writer.
Autobiographical writings, essays, interviews, various other things... All the non-fiction prose I wanted to keep, that was the idea behind this collected volume, which came out about few years ago. I didn't think of Winter Journal, for example, as an autobiography, or a memoir. What it is is a literary work, composed of autobiographical fragments, but trying to attain, I hope, the effect of music.
Even if the experience in my stories is not autobiographical and the actual plot is not autobiographical, the emotion is always somewhat autobiographical. I think there's some of me in every one of the stories.
All fiction is autobiographical fantasy.
Autobiographical fiction is very tricky.
[Oscar Wilde's Salome screenplay] is not autobiographical in a sense where you go to my house and see my kids and stuff like that, but that's why I guess it's semi-autobiographical.
All fiction becomes autobiographical when the author has true talent.
The fiction is not autobiographical. Maybe to some extent it is, of course.
There's not a strong autobiographical strain in my fiction. A few bits of fact here and there.
Reading the several thousand pages of Christopher Isherwood's complete journals is an instructive corrective to the prissiness of reading fiction. Isherwood had faults that we'd say were unforgiveable in a novel (he was careful to distance himself from these in his autobiographical fiction).
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