A Quote by Frederick Lenz

Zazen's music is composed in other dimensions and it is played by some of my students. I go through the music they have played with my aura and wash out anything impure. — © Frederick Lenz
Zazen's music is composed in other dimensions and it is played by some of my students. I go through the music they have played with my aura and wash out anything impure.
When I composed, I heard my music played by the orchestra within days of completion of the score. No master at a conservatory, no matter how revered, can teach as much by verbal criticism as can a cold and analytical hearing of one's own music being played.
I became a professional musician and played all kinds of music. I played bluegrass, I played classical music, and for many years, I played jazz.
Music played at weddings always reminds me of the music played for soldiers before they go into battle.
My parents had a love for music. There were so many records, so much music constantly being played. My mother played piano, my father sang, and we were always surrounded in music.
Music was fundamental in my family. Sang at bars, all the way to church on Sunday. Music in school, played guitar pulls at the house, go to other people's houses and break out the guitars, it was fun. It was always there, I've just been a part of it.
I never get enough of the adrenaline rush of hearing good music played live and played loud like this. Hearing these songs again snatches me out of the day-to-day and helps me forget all the things I usually waste my time worrying about. As long as the music's playing I don't have to do anything except listen, relax, and enjoy myself.
The one thing you'll notice when you're walking through Harlem is every single passing car is playing different music and there's also music that's being played out of windows.
I played music practically my entire life. But the first time I ever really played music was with John and Robby and Jim That's where it happened. it was an epiphany, a moment of profound clarity
If you go off the Senior Bowl, that's basically what I can do. I played H-back, I played fullback, I played tight end, I played slot receiver, I ran routes, I caught some balls, blocked, just doing that stuff.
I planted some jokes in my wedding. Like, the organizers asked me to select music. So when I approached wife at the ceremony, they played the second movement from Shostakovich's 10th Symphony, which is usually known as the "portrait of Stalin." And then when we embraced, the music that they played was Schubert's "Death and the Maiden." I enjoyed this in a childish way! But marriage was all a nightmare and so on and so on.
I had composed songs, I sang, and played the vina. Practising this music I arrived at a stage where I touched the music of the spheres. Then every soul became a musical note, and all life became music. Inspired by it I spoke to the people, and those who were attracted by my words listened to them instead of listening to my songs.
The music is one of the beautiful things that has survived the Castro regime. I have played for audiences all over the world but I've never played for a Cuban audience. For [husband] Emilio and me, the music is the one tie to our homeland.
Last year in Germany at a town hall in Leipzig there was a game music concert played by the orchestra and some of the Final Fantasy scores were played. This year there is another concert scheduled in the same location, for game music.
[Drizzy] reached out to me through Chase N Cashe, they're brothers, they're one. Chase N Cashe made the connection, played some of my music and he [Drake] got up on it, got interested in the music and just reached out and said "You know what, let's work."
I just naturally started to play music. My whole family played-my daddy played, my mother played. My daddy played bass, my cousin played banjo, guitar and mandolin. We played at root beer stands, like the .Drive-ins they have now, making $2.50 a night, and we had a cigar box for the kitty that we passed around, sometimes making fifty or sixty dollars a night. Of course we didn't get none of it, we kids.
When you read Boethius and some of the Renaissance philosophers, they talk a lot about the other spheres. There's a music of the spheres. There's a music that's actually in the universe, they believed, that's out there in different dimensions.
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