A Quote by Frederick Lenz
In the creative arts you draw a special power. The discipline required is awesome to be an actor or an actress, to be really good, not just another one waiting tables.
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The original version of C did not have structures. So to make tables of objects, process tables and file tables and this tables and that tables, it really was fairly painful.
My ambition was to stop waiting tables. That was how I measured success: finally, I was able to stop waiting tables, and I was able to pay the rent, and that was by being a stand-up comic. Not a very good stand-up comic, but good enough to make a living.
My whole thing is I just always wanted to be a working actor and I just wanted to stop waiting tables.
I was a waitress years ago when I was first trying to become an actress, waiting tables in New York City.
When I moved to New York, I really wanted to find my bread job as close to my passion as possible. There's nobility in waiting tables. But I really wanted to find a job in the arts, and so I started teaching.
When I was a struggling actress in New York in my 20s I worked in a burger joint called Diane's Uptown. I actually loved waiting tables. I still keep who I was in my mind and never take anything for granted.
I think the performances that really communicate with me are the ones where I don't feel like I'm watching someone and thinking: "They're doing some really good acting." It's when I'm literally completely consumed by the story-telling and the actor or actress is evoking something in me. I think that's so powerful and cinema and TV has so much power.
When you do a play, you have all this time to rehearse and grow into the character. In television, even though you're waiting and waiting and waiting, once you're actually on set engaging in the scene with another actor, time is of the essence.
I'm just surrounded by awesome funny folks and really creative people. I'm learning, every day. There's not a day that I step on set that I don't have fun. It's a pretty good deal.
To be an actor, it's really tough to find your own voice because you're always tied to other characters and going to auditions and trying to get a job, hoping they'll pick you. And I think it's just so important for an actor to have something else that's creative, something that's creative and you're in charge of.
I can always go back to waiting tables, but I won't be very good at it. I'll never be good at it.
I remember when I was 13 and telling people I wanted to be an actor, and being met with, 'Have fun waiting tables,' so I figured maybe that's not such a great idea after all.
Waiting for the fish to bite or waiting for wind to fly a kite. Or waiting around for Friday night or waiting perhaps for their Uncle Jake or a pot to boil or a better break or a string of pearls or a pair of pants or a wig with curls or another chance. Everyone is just waiting.
I think it's really important, as an actor in this business, to have another creative outlet.
To have a creative outlet that you can control is really important because you do a lot of waiting to be cast, then waiting to go into production, and then waiting on set.
I think that is a really good message, especially for young girls to hear. The fact that someone like me from the western suburbs of Sydney could become an actress in movies who didn't look like a regular actress, and that I can make it I think gives a lot of hope to other girls who are really creative and don't necessarily follow the standard of what some people consider beauty to be.
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