A Quote by Freya Stark

I first noticed how the sound of water is like the talk of human voices, and would sometimes wake in the night and listen, thinking that a crowd of people were coming through the woods.
Think of the sound you make when you let go after holding your breath for a very, very long time. Think of the gladdest sound you know: the sound of dawn on the first day of spring break, the sound of a bottle of Coke opening, the sound of a crowd cheering in your ears because you're coming down to the last part of a race--and you're ahead. Think of the sound of water over stones in a cold stream, and the sound of wind through green trees on a late May afternoon in Central Park. Think of the sound of a bus coming into the station carrying someone you love. Then put all those together.
It was like letting go and falling back into water and seeing yourself grinning up through the water, your face like a mask, and seeing the bubbles coming up as if you were trying to speak from under the water. And how do you know what it's like to try to speak from under water when you're drowned?
Go for a short walk in a soft rain - lovely - so many wild flowers startling me through the woods and a lawn sprinkled with dandelions, like a night with stars. And through it all the sound of soft rain like the sound of innumerable earthworms stirring in the ground.
If you're a fiction writer, though, I can tell you how to let people talk through you. Listen. Just be quiet, and listen. Let the character talk. Don't censor, don't control. Listen, and write.
If you look at my life before I went into television, the struggle I went through coming out would be surprising to most people, given how comfortable and how out I am being the only late-night gay talk-show host.
Outside the trees dragged their leaves like nets through the depths of the air; the sound of water was in the room and through the waves came the voices of birds singing.
And see the rivers how they run Through woods and meads, in shade and sun, Sometimes swift, sometimes slow, Wave succeeding wave, they go A various journey to the deep, Like human life to endless sleep!
People love to talk but hate to listen. Listening is not merely not talking, though even that is beyond most of our powers; it means taking a vigorous, human interest in what is being told us. You can listen like a blank wall or like a splendid auditorium where every sound comes back fuller and richer.
I never turn on the crowd. Sometimes, you think it's a terrible show, and then afterward, sometimes people say they really liked it. So turning on the crowd is only going to alienate the few people who might like it. What do I do in that situation? Get through it.
Sometimes I'll do something when I'm tired at night, and it'll sound hot. But in the morning, when I'm wide awake, I'll listen again and think it's way off. Nobody else would notice it, but I'm like, I've got to fix that!
By suggestion and example, I believe children can be helped to hear the many voices about them. Take Time to listen and talk about the voices of the earth and what they mean-the majestic voice of thunder, the winds, the sound of surf or flowing streams.
We never really set out to talk about California on the album ['California'], it was something that we noticed that was happening about three-quarters of the way through the recording process. We were looking at which songs we thought would make the record and we realised that there was this theme coming through. I think it's just a product of being in California for as long as I have.
For its part, Government will listen. We will strive to listen in new ways - to the voices of quiet anguish, to voices that speak without words, the voices of the heart, to the injured voices, and the anxious voices, and the voices that have despaired of being heard.
You get to thinking that because you've written 50 or 100 songs, you think maybe you know how to do it. But when they're not coming along, you're just as in the dark as you ever were. When they're coming along, there's nothing to it. Sometimes it's so easy, it's like you're a court stenographer.
I want to sometimes talk about race and sometimes not talk about race, but mainly just do silly voices and pretend to be like strange people, and having people be like, 'That's fine, we accept that.'
When I noticed how my own children were effortlessly able to use all this sophisticated technology, at first I thought, 'My children are prodigies!' But then I noticed all their friends were like them, so that was a bad theory.
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