A Quote by Frank Iero

I have no want or desire to solo. I'd rather create melodies and accompanying parts. — © Frank Iero
I have no want or desire to solo. I'd rather create melodies and accompanying parts.
When you are accompanying someone, you are listening to them the way you listen to a Bach Chorale, where four parts are going on at the same time, all of which are gorgeous melodies, all being played simultaneously.
I've never really had the desire to be a front person or a solo artist. I don't really create that much of a hierarchy in my mind.
The way I look at a solo project is, I create what I want with whoever I want.
If you see a credit with just my name on it, that means I write absolutely everything: rhythm guitar parts, guitar melodies, vocal melodies... absolutely everything, really.
I happen to be a twin. I grew up half of my life with someone who looks and sounds like me. And I believe it's possible to hold twin desires in your head, such as the desire to create painting and destroy painting at once. The desire to look at a black American culture as underserved, in need of representation, a desire to mine that said culture and to lay its parts bare and look at it almost clinically.
With 'The Xpose,' the main challenge was to create timeless melodies. The thriller is set in the '60s, and we didn't want the songs to sound dated.
I like the sounds of EDM; the guys create new sounds, beautiful sounds. The melodies, it's a little less. I like the kind of melodies I did with Donna Summer, or 'Flashdance,' where you have a verse, a chorus - a song setup.
We treat desire as a problem to be solved, address what desire is for and focus on that something and how to acquire it rather than on the nature and the sensation of desire, though often it is the desire between us and the object of desire that fills the space in between with the blue of longing.
I feel my spot is somewhere between a bass player and a rhythm guitar player. I play with a pick. I play very aggressively. I always have a distortion pedal in line, and I play less melodies and do more stuff against the guitars that create melodies.
From the satisfaction of desire there may arise, accompanying joy and as it were sheltering behind it, something not unlike despair.
There was a lack of inspiration in London. There were a lot of dregs of the Libertines' movement, and we didn't want to do that. We wanted big melodies and hooks, organic melodies that could fall apart at any moment.
I don't want to write melodies anymore. I can only write really simple, dumb caveman melodies.
That's literally been a longtime dream of mine: to create a comic and an accompanying concept record.
I put in the sounds of instruments such as the guitar and piano, which everybody hears often, and tried to go with melodies that would sound familiar. Rather than trying to do music that I want to do, I focused on doing music that I want my fans to hear.
The reason I like my job is that I have this desire to create. I have this desire to create things and build things, and Google has enabled me to build and create things and to build products that are used by people all over the globe.
I create music; I create painting; I create whatever I want to create. I create, what you say, clothes. I create, I don't know, dance move. I create anything.
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