A Quote by Frank Caliendo

When I used to watch vaudevillian impressionists, people like Rich Little or Frank Gorshin, I always felt like the voice was the only point. I didn't want to do that. I wanted to be of the Robin Williams or Jonathan Winters model, where observation and storytelling was important.
When you watch Robin Williams, you can see a lot of Jonathan Winters. Robin is the first one to admit that; he worshiped Jonathan Winters.
I'm a huge fan of Jonathan Winters. He's influenced everyone who's ever done improvisational comedy. You look to Jonathan Winters for inspiration. He paved the way. If you've ever made up something on the spot and made somebody laugh, you can credit Jonathan Winters with inspiration.
When I was growing up, I was so fascinated by Mel Blanc and all of the different voices that he did for 'Looney Tunes' and watching Robin Williams record voice-over for the genie in 'Aladdin.' It always seemed to be a major honor - something you have to earn. Like people trust you when they want to have you there without seeing you.
I'm a huge fan of Jonathan Winters. He's influenced everyone who's ever done improvisational comedy. You look to Jonathan Winters for inspiration. He paved the way.
I always wanted to make sure that I was honest to myself and that people wanted to hear an opinion that was authentic... I wanted Man Repeller to be a voice for women who felt like they didn't have a voice or for women who didn't know how to express their voice.
Frank [Sinatra] sang to you, not at you, like so many pop singers today. Even singers of standards. I never wanted to be a singer that sings at somebody. I've always wanted to sing to somebody. I would have gotten that subliminally from Frank many years ago. Hank Williams did that, too. He sang to you.
Most people compliment me on maintaining my femininity while I'm on the court. People like the fact that I model. My fans or little girls always say they want to play sports, but also want to be a model like me and I think that's great.
The depression happened more so because when I was a little kid, I wanted to be a doctor. My heart was like, I want to save the world, I want to help people... But when I felt like nothing I was doing was right, that's the way I felt.
Robin [Williams], he's pretty dynamic. I had a lot of fun but I also felt like there was no onus on me to be funny.
Robin Williams understands sonic performances. He understands what it's like to change your voice up.
My favorite actors are Jim Carrey and Chris Farley, Tom Hanks, Robin Williams. Robin Williams is the best - to be able to do all that comedy but also be heartbreaking.
I don't have too much interest in teaching other people how to get rich. And that isn't because I fear the competition or anything like that - Warrenhas always been very open about what he's learned, and I share that ethos. My personal behavior model is Lord Keynes: I wanted to get rich so I could be independent, and so I could do other things like give talks on the intersection of psychology and economics. I didn't want to turn it into a total obsession.
Animation, for me, is a wonderful art form. I never understood why the studios wanted to stop making animation. Maybe they felt that the audiences around the world only wanted to watch computer animation. I didn't understand that, because I don't think ever in the history of cinema did the medium of a film make that film entertaining or not. What I've always felt is, what audiences like to watch are really good movies.
I remember once they sent me over to read for a show called 'Mork and Mindy.' I heard gales of laughter, then Robin Williams walked out. I had to follow Robin Williams.
The documentary 'Certifiably Jonathan' has engrossing moments in it. How can it not? It's got a great subject - the extraordinarily voluble comedian Jonathan Winters, whose constant rush of words can be like a blizzard: beautiful, maddening, exhausting, and finally beautiful again. But it's not a great film.
I don't want people to think like Roddy is John Legend now. I just felt like once I got to a certain point, that I wanted to expand musically.
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