A Quote by Frank Lloyd Wright

I think Miss Monroe as architecture is extremely good architecture, and she's a very natural actress, and a very good one. — © Frank Lloyd Wright
I think Miss Monroe as architecture is extremely good architecture, and she's a very natural actress, and a very good one.
The very essence of architecture consists of a variety and development reminiscent of natural organic life. This is the only true style in architecture.
The very essence of architecture consists of a variety and development reminiscent of natural organic life. This is the only true style in architecture
There is no ecological architecture, no intelligent architecture and no sustainable architecture - there is only good architecture. There are always problems we must not neglect. For example, energy, resources, costs, social aspects - one must always pay attention to all these.
Architecture is art. I don't think you should say that too much, but it is art. I mean, architecture is many, many things. Architecture is science, is technology, is geography, is typography, is anthropology, is sociology, is art, is history. You know all this comes together. Architecture is a kind of bouillabaisse, an incredible bouillabaisse. And, by the way, architecture is also a very polluted art in the sense that it's polluted by life, and by the complexity of things.
There's a Danish architecture firm called BIG. I love architecture, and I always check out their work; they're very good at reimagining the way we live. They put the human experience as the focus, with access to air and outdoor space.
If you think good architecture is expensive, try bad architecture.
The artistic part of us all - I think that the easiest way to appreciate this - is through architecture. Architecture is very impressive; the beauty of buildings, temples.
My dad, he's definitely one of greatest writers of his generation. There is no question about it. When you are that good, when work is that good, you have to appreciate every aspect of it. It's the architecture of it, it's like looking at a Frank Lloyd Wright building or a Lautner building, it's master craftsmanship. Every aspect of it intertwines in a perfectly harmonious way. That's what architecture is at its best and the architecture of my father's music is on that level.
When we talk of architecture, people usually think of something static; this is wrong. What we are thinking of is an architecture similar to the dynamic and musical architecture achieved by the Futurist musician Pratella. Architecture is found in the movement of colours, of smoke from a chimney and in metallic structures, when they are expressed in states of mind which are violent and chaotic.
You cannot have good architecture merely by asking people's advice on occasion. All good architecture is the expression of national life and character; and it is produced by a prevalent and eager national taste, or desire for beauty.
Architecture is a language. When you are very good, you can be a poet
I've never had a problem with the old truism about dancing to architecture. I think you can dance to architecture. There's some pretty funky architecture to dance to.
Japanese traditional architecture is created based on these conditions. This is the reason you have a very high degree of connection between the outside and inside in architecture.
When we come to understand architecture as the essential nature of all harmonious structure we will see that it is the architecture of music that inspired Bach and Beethoven, the architecture of painting that is inspiring Picasso as it inspired Velasquez, that it is the architecture of life itself that is the inspiration of the great poets and philosophers.
The cynical, caustic, acid-tongued New York drama critic Addison De Witt introduces his protege/date of the moment, a bimbo date and so-called actress named Miss Casswell (Marilyn Monroe) in another very famous line: "Miss Casswell is an actress, a graduate of the Copacabana School of Dramatic Art."
When I started studying architecture, people would say, you know, 'Can you tell me why are all modern buildings so boring?' Because, like, people had this idea that in the good old days, architecture had, like, ornament and little towers and spires and gargoyles, and today, it just becomes very practical.
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